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節日 本書特色
《中國文化·節日》是一次對當下中國節日蜻蜓點水式的觀察。我們從眾多的節日中選出21個節日，然后從節日的內在精神出發，分為堅韌的記憶、神圣的祭拜、世俗的狂歡、生產的節律等七大主題進行書寫。在進行歷史的追溯的同時，更加著力于現狀的展呈，希望為讀者勾勒出中國節日的進行時。 chinese culture: festivals is a superficial observation of current chinese festivals. we select 21 festivals from the numerous festivals, and then proceed from the spirit of festivals to write about seven topics including tenacious memories, holy sacrifice, mundane revelry, rhythm of production, etc. while looking back at history, we focus more on the presentation of the current situation in the hope of giving a brief account of current chinese festivals to readers.
節日 內容簡介
中國是一個節日大國。在悠久的歷史、廣闊的疆域和多樣的生態下，中國各民族創造、傳承和發展了豐富多彩的節日文化。這些節日，是中國文化集中呈現的舞臺和重要的組成部分。神話、傳說、信仰、儀式、戲曲、音樂、舞蹈、飲食、工藝等構成中國文化的各種因子都離不開節日。它們承載了中華民族的歷史記憶、文化創造、社會機制和生活情趣。從節日里，人們滿足著感觀之欲，強化著群體的認同，實現著族群的繁衍，尋找著精神的安頓和心靈的慰藉。 china is a major country of festivals. in the long history, vast territory and diversified ecology, various chinese ethnic groups created, inherited and developed the diversified culture of festivals. these festivals are stages epitomizing chinese culture and its important components. various elements of chinese culture such as myths, legends, religions, rites, traditional chinese opera, music, dancing, foods and drinks, arts and crafts are inseparable from festivals. they carry the chinese nation’s historical memories, cultural creations, social mechanisms and joys of life. in festivals, people satisfy their sensual needs, strengthen group recognition, realize multiplication of ethnic groups, and look for mental peace and spiritual solace.
節日 作者簡介
王學文，北京師范大學民俗學博士，現為文化部民族民間文藝發展中心副研究員、國家社科基金重大委托項目《中國節日志》編輯部副主任。主要研究方向為節日文化、文化遺產保護理論與實踐。出版有專著《規束與共享》，在《民俗曲藝》（臺灣）、《民俗研究》、《山東社會科學》等刊物發表論文多篇。 Wang Xuewen, Ph.D. in folklore studies, graduated from Beijing Normal University and is now an associate research fellow at the Center for Ethnic & Folk Literature & Art Development, Ministry of Culture, PRC and a deputy director of the editorial department of Chinese Festival Annals, a major project entrusted by the National Social Science Fund of China. His main research directions are theory and practice of festival culture and cultural heritage protection. He published Restriction and Sharing, a monograph, and several essays in Journal of Chinese Ritual, Theatre and Folklore (Taiwan), Folklore Studies, Shandong Social Sciences and other periodicals.
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