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奧林匹克研究英文論文集 版權(quán)信息
- ISBN：9787564427351
- 條形碼：9787564427351 ; 978-7-5644-2735-1
- 裝幀：一般膠版紙
- 冊數(shù)：暫無
- 重量：暫無
- 所屬分類：>
奧林匹克研究英文論文集 內(nèi)容簡介
本書收錄了8篇英文奧林匹克學(xué)術(shù)論文, 內(nèi)容包括奧林匹克歷史、奧林匹克與政治、奧林匹克與教育、奧林匹克與市場營銷、奧林匹克與人文精神、奧林匹克理念等方面的研究成果。8篇論文的作者是長期從事奧林匹克研究的學(xué)者, 他們分別是在加拿大、美國、中國高等院校任教的教授和博士。該書可做為奧林匹克研究學(xué)者奧林匹克研究的文獻(xiàn)資料, 高校奧林匹克雙語課學(xué)生的閱讀材料, 博士、碩士研究生學(xué)習(xí)英文論文寫做的參考資料。
奧林匹克研究英文論文集 目錄
Branding the Maple Leaf：The Olympic Games and the Rise of CanadianM National and International IdentityRobertK．BarneyA Five．Ringed Coup D'etat：The 1 984 Olympic Victory over President Ronald Reagan's Cold War Foreign PolicyBrad J．Congelio．Ph．DA Grassroots Initiative in Olympic Education in China：A First Person Account Dongguang PeiThe Body，Sexualization and the New Voyeur at the Early Olympic Games 1896．1928Kevin B．WamsleyCatch Me If You Can：An Examination ofAmbush Marketing Xiaowei YuFrom Partners in Pursuit ofExcellence to“Own the Podium：”An Ideological Slip in Canadian Olympic Spon DouglasA．Brown“Give My Gold Medal Back”Jim Thorpethe Most Tragic Olympic Hero Wenshuai（Sunny）MaoRefugees from Behind the Iron Curtain：Stateless Athletes，Cold War Politics，and the International Olympic Committee Toby C．Rider
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奧林匹克研究英文論文集 節(jié)選
《奧林匹克研究英文論文集（英文版）》： Sexuality and the Body at the Turn of the 20th Century The shifting polarities of public （un）acceptance and private indulgence with regards to sexual matters in the \fictorian era resulted in an increasing centrality of the body in society at the turn ofthe twentieth century. With the preoccupation ofthe ruling classes over covering the form， and the public repression of physical desires throughout the conservative nineteenth century， the body constituted somewhat of an absent presence. Concomitantly， during this period， the trade in pornography （both in the form ofliterature and pictures） expanded as a widespread （albeit clandestine） and lucrative commercial enterprise.4 In the relatively liberated era that emerged at the end of the nineteenth century， these inherent tensions of the Victorian period began to resolve themselves， as the body became gradually more visible in several areas ofpublic， social life， particularly through sport. Sport and exercise was an area in which medicine had a highly influential voice， particularly with regards to the participation of females.5 As the literature amply demonstrates， by the turn of the century medicine had assumed a central role in society with respect to the notion of health. Further， the increasingly hedonistic attitudes encouraged by consumerism， in part encouraged people to take interest in the improvement of their own bodies， both from a health and an aesthetic perspective. This is evident in the emergence of periodicals such as Health magazine and Physical Culture in the late 1800s. This phenomenon of physical culture saw a dovetailing of two of the key revolutions at the turn of the century： the rise in consumer culture （and thus the increased importance on appearance and material goods）， and the emerging focus on the body. Within the Vaudeville circuit， Eugene Sandow contributed immensely to the phenomena of displaying well-muscled men's and women's bodies in public.6 Performing feats of improbable strength in his shows， Sandow captured the public imagination and hunger for the spectacle - an interest also evident in the World Expositions during the same era7 and the popularity of his shows demonstrated an increasingly liberated expression of sexual desire towards both male and female models. Indeed， Sandow posed nude for photographs as well as offering private exhibitions after his regular performances. Originally held on a small-scale， Iocal basis at the end of the nineteenth and beginning of the twentieth century， the beauty pageant was first formalized as the Miss America contest in 1921 in Atlanta.8 The winners of this contest， typically celebrated esmall， passive， non threatening women'9 and， according to Hamlin， the beauty pageant represented a backlash to the growing independence of females in society and served as a means of controlling women and encouraging the prevalence of the traditional， passive model of womanhood， as opposed to the newly emerging 'Flapper'. Whist the body was gaining a newfound place in society at the beginning ofthe twentieth century； the possibilities for the forms that the body could take on were narrow and gender-specific. This objectification and the encouraged centrality of the sexualized， waif-like female body were evident also in shows such as the Ziegfeld Follies and， later， the Aqua Follies. Additionally， a well established underground trade in erotic pictures demonstrated that bodies were also becoming increasingly visible. ……
奧林匹克研究英文論文集 作者簡介
裴東光（1960-）男，北京人，首都體育學(xué)院教授、碩士生導(dǎo)師。1992年赴加拿大西安大略大學(xué)奧林匹克研究中心留學(xué)，1995年獲得碩士學(xué)位.1996年歸國，2004年被接納為國際奧林匹克歷史學(xué)家學(xué)會成員。主要從事奧林匹克研究。
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