中圖網小程序
一鍵登錄
更方便
本類五星書更多>
-
>
闖進數學世界――探秘歷史名題
-
>
中醫基礎理論
-
>
當代中國政府與政治(新編21世紀公共管理系列教材)
-
>
高校軍事課教程
-
>
思想道德與法治(2021年版)
-
>
毛澤東思想和中國特色社會主義理論體系概論(2021年版)
-
>
中醫內科學·全國中醫藥行業高等教育“十四五”規劃教材
威廉·福克納種族觀研究及其他 版權信息
- ISBN：9787568255677
- 條形碼：9787568255677 ; 978-7-5682-5567-7
- 裝幀：一般膠版紙
- 冊數：暫無
- 重量：暫無
- 所屬分類：>>
威廉·福克納種族觀研究及其他 本書特色
本書旨在對1949年諾貝爾文學獎獲得者、美國南方作家兼20世紀※偉大小說家威廉·福克納的代表性長、短篇小說進行多維度解讀。該書分為三部分：福克納小說種族主題研究、福克納小說文化研究及福克納小說創作與歐洲先鋒畫派之跨界研究。種族主題闡釋部分基于文本細讀法，從人物塑造、美學功用、陌生化、心理分析、意識形態批評、新歷史主義、空間批評等視角對福氏不同時期作品中五個階段——希望開端、急劇初升、心理飛躍、達至※峰、冰期滑坡——的黑人表征進行探討，勾勒“拋物線”狀架構，展現小說家在相關主題上的輝煌成就與不足，以期提煉其“黑人觀”。文化研究部分運用互文性、空間批評、闡釋學等批評工具從性別、族性、身份等層面對福克納的代表作等進行文學解讀及翻譯批評。跨界研究部分重點探討福克納的小說創作與歐洲先鋒畫派之間穿越時空之跨界姻緣及互文關聯，深入考查小說家對印象主義及后印象主義畫派技巧的借鑒。
威廉·福克納種族觀研究及其他 內容簡介
本書分為兩部分: 福克納小說種族主題研究、其他研究。主要闡釋基于文本細讀法, 從人物塑造、美學功用、陌生化、心理分析、意識形態批評、新歷史主義、空間批評等視角對福氏不同時期作品中五個階段 —— 希望開端、急劇初升、心理飛躍、達至巔峰、冰期滑坡 —— 的黑人表征進行探討, 勾勒“拋物線”狀架構, 展現小說家在相關主題上的輝煌成就與不足, 以期提煉其“黑人觀”。
威廉·福克納種族觀研究及其他 目錄
**部分 種族主題研究
一、概述及述評 ································································· 003
Ⅰ. “極輝煌之失敗”：黑人群體表征之“拋物線”架構 ··········· 003
希望開端 ·································································· 004
急劇初升 ·································································· 006
心理飛躍 ·································································· 008
達至巔峰 ·································································· 010
冰期滑坡 ·································································· 012
Ⅱ. 一言難盡：“黑人觀”批評史 ········································· 015
歐美白人批評 ···························································· 015
美國黑人批評 ···························································· 019
國內批評 ·································································· 020
批評史及現狀簡評 ······················································ 021
二、創作背景：充滿張力的種族三角——黑人、南方與藝術家 ····· 024
Ⅰ. 黑人：種族及美學關注的中心 ······································· 025
Ⅱ. 南方：動蕩不安的中心 ················································ 028
Ⅲ. 作家：藝術創造的中心 ················································ 030
三、種族主題闡釋 ······························································ 033
Ⅰ. 希望開端 ·································································· 033
《軍餉》：摸“黑”前進 ················································ 034
《墳墓里的旗幟》：約克納帕塔法世系“門檻”上的黑人 ······ 044
《曾有過這樣一位女王》：初遇混血兒 ······························ 054
Ⅱ. 急劇初升 ·································································· 062
《喧嘩與騷動》：被賦予中心視覺的黑人家庭 ····················· 063
《夕陽》：絕望的南希——種族、性別剝削的雙重受害者 ······ 092
《殉葬》：環境及印第安奴隸制的受害者 ··························· 097
Ⅲ. 心理飛躍 ·································································· 105
《八月之光》：對“種族混雜情結”的**次系統解謎 ········· 106
《干旱的九月》：對歇斯底里的“白人女性崇拜”的
戲劇性表征 ······························································· 128
《圣殿》：對作為“觀念的黑色”的戲劇化表征 ··························· 131
《埃莉》與《山上的勝利》：對“血統之謎”的戲劇化延展 ············ 137
Ⅳ. 達至巔峰 ············································································ 142
《押沙龍，押沙龍！》：黑人的“百科全書” ································ 143
《去吧，摩西》：黑人的“人權宣言” ······································· 161
Ⅴ. 冰期滑坡 ············································································ 171
《未被征服者》：老邦聯游戲的重演 ·········································· 174
《墳墓的闖入者》與《修女安魂曲》：被神話的“暴君”
與神秘化的“修女” ···························································· 179
《掠奪者》：跌落地面 ···························································· 186
四、成也偉大，敗也輝煌：黑人角色塑造之不足 ································· 192
Ⅰ. 刻板形象 ············································································ 192
Ⅱ. 文本介入 ············································································ 197
Ⅲ. 種族內部現實之忽略 ····························································· 201
第二部分 其他研究
一、文化研究 ·············································································· 207
Ⅰ. 《我彌留之際》：艾迪·本德倫的“漩渦式”禮葬 ···························· 207
Ⅱ. 《八月之光》：喬·克里斯默斯的魔咒空間 ·································· 215
Ⅲ. 《去吧，摩西》：烏托邦欲望的審美釋放 ··································· 225
IV. 《押沙龍，押沙龍！》：歷史與文本的互動·································· 235
V. 《喧嘩與騷動》：斯坦納闡釋學視角下的中譯本翻譯補償 ·············· 244
二、跨界研究 ·············································································· 253
Ⅰ. 穿越時空的對話：福克納與后/印象主義畫派的跨界姻緣 ··············· 255
Ⅱ. 福克納小說創作對后/印象主義畫派技巧的借鑒 ··························· 266
Ⅲ. 神品·詭風·妙構：《我彌留之際》的印象主義文體及
結構特征解析 ······································································ 277
參考文獻 ···················································································· 288
索引 ·························································································· 303
一、概述及述評 ································································· 003
Ⅰ. “極輝煌之失敗”：黑人群體表征之“拋物線”架構 ··········· 003
希望開端 ·································································· 004
急劇初升 ·································································· 006
心理飛躍 ·································································· 008
達至巔峰 ·································································· 010
冰期滑坡 ·································································· 012
Ⅱ. 一言難盡：“黑人觀”批評史 ········································· 015
歐美白人批評 ···························································· 015
美國黑人批評 ···························································· 019
國內批評 ·································································· 020
批評史及現狀簡評 ······················································ 021
二、創作背景：充滿張力的種族三角——黑人、南方與藝術家 ····· 024
Ⅰ. 黑人：種族及美學關注的中心 ······································· 025
Ⅱ. 南方：動蕩不安的中心 ················································ 028
Ⅲ. 作家：藝術創造的中心 ················································ 030
三、種族主題闡釋 ······························································ 033
Ⅰ. 希望開端 ·································································· 033
《軍餉》：摸“黑”前進 ················································ 034
《墳墓里的旗幟》：約克納帕塔法世系“門檻”上的黑人 ······ 044
《曾有過這樣一位女王》：初遇混血兒 ······························ 054
Ⅱ. 急劇初升 ·································································· 062
《喧嘩與騷動》：被賦予中心視覺的黑人家庭 ····················· 063
《夕陽》：絕望的南希——種族、性別剝削的雙重受害者 ······ 092
《殉葬》：環境及印第安奴隸制的受害者 ··························· 097
Ⅲ. 心理飛躍 ·································································· 105
《八月之光》：對“種族混雜情結”的**次系統解謎 ········· 106
《干旱的九月》：對歇斯底里的“白人女性崇拜”的
戲劇性表征 ······························································· 128
《圣殿》：對作為“觀念的黑色”的戲劇化表征 ··························· 131
《埃莉》與《山上的勝利》：對“血統之謎”的戲劇化延展 ············ 137
Ⅳ. 達至巔峰 ············································································ 142
《押沙龍，押沙龍！》：黑人的“百科全書” ································ 143
《去吧，摩西》：黑人的“人權宣言” ······································· 161
Ⅴ. 冰期滑坡 ············································································ 171
《未被征服者》：老邦聯游戲的重演 ·········································· 174
《墳墓的闖入者》與《修女安魂曲》：被神話的“暴君”
與神秘化的“修女” ···························································· 179
《掠奪者》：跌落地面 ···························································· 186
四、成也偉大，敗也輝煌：黑人角色塑造之不足 ································· 192
Ⅰ. 刻板形象 ············································································ 192
Ⅱ. 文本介入 ············································································ 197
Ⅲ. 種族內部現實之忽略 ····························································· 201
第二部分 其他研究
一、文化研究 ·············································································· 207
Ⅰ. 《我彌留之際》：艾迪·本德倫的“漩渦式”禮葬 ···························· 207
Ⅱ. 《八月之光》：喬·克里斯默斯的魔咒空間 ·································· 215
Ⅲ. 《去吧，摩西》：烏托邦欲望的審美釋放 ··································· 225
IV. 《押沙龍，押沙龍！》：歷史與文本的互動·································· 235
V. 《喧嘩與騷動》：斯坦納闡釋學視角下的中譯本翻譯補償 ·············· 244
二、跨界研究 ·············································································· 253
Ⅰ. 穿越時空的對話：福克納與后/印象主義畫派的跨界姻緣 ··············· 255
Ⅱ. 福克納小說創作對后/印象主義畫派技巧的借鑒 ··························· 266
Ⅲ. 神品·詭風·妙構：《我彌留之際》的印象主義文體及
結構特征解析 ······································································ 277
參考文獻 ···················································································· 288
索引 ·························································································· 303
展開全部
威廉·福克納種族觀研究及其他 作者簡介
鮑忠明（1970-），安徽省天長市人，北京理工大學外國語學院副教授，碩士生導師。2006年北京外國語大學英語語言文學方向博士畢業，2017年9月-2018年9月哈佛大學英語系訪問學者。研究方向為美國小說及西方現當代文學理論，研究重點是美國著名作家威廉•福克納和歐美繪畫與現代小說的跨界關聯。近年來在國內外雜志上發表中英文論文30余篇著、譯作數篇和專著一部（《※輝煌的失敗：福克納對黑人群體的探索》），主持國家※社科項目和校級精品課程項目各一項。
辛彩娜（1987-），2017年畢業于中國人民大學，獲文學博士學位，中國海洋大學外國語學院講師，專業方向為英美文學，現主要從事喬伊斯研究和福克納研究。
張玉婷（1990-），遼寧大連人，北京外國語大學英語語言文學專業在讀博士生。研究方向為美國小說，現主要從事威廉•福克納研究。
書友推薦
- >
唐代進士錄
- >
中國歷史的瞬間
- >
大紅狗在馬戲團-大紅狗克里弗-助人
- >
回憶愛瑪儂
- >
【精裝繪本】畫給孩子的中國神話
- >
經典常談
- >
苦雨齋序跋文-周作人自編集
- >
我與地壇
本類暢銷
