中圖網(wǎng)小程序
一鍵登錄
更方便
溫馨提示：5折以下圖書(shū)主要為出版社尾貨，大部分為全新（有塑封/無(wú)塑封），個(gè)別圖書(shū)品相8-9成新、切口
有劃線標(biāo)記、光盤(pán)等附件不全詳細(xì)品相說(shuō)明>>
有劃線標(biāo)記、光盤(pán)等附件不全詳細(xì)品相說(shuō)明>>
本類五星書(shū)更多>
-
>
百年孤獨(dú)(2025版)
-
>
易中天“品讀中國(guó)”系列(珍藏版全四冊(cè))
-
>
心歸何處
-
>
(精裝)羅馬三巨頭
-
>
野菊花
-
>
梁?jiǎn)⒊視?shū)
-
>
我的父親母親:民國(guó)大家筆下的父母
中圖價(jià):¥21.7
加入購(gòu)物車
現(xiàn)代中國(guó)文化與文學(xué)(25) 版權(quán)信息
- ISBN：9787553110608
- 條形碼：9787553110608 ; 978-7-5531-1060-8
- 裝幀：一般輕型紙
- 冊(cè)數(shù)：暫無(wú)
- 重量：暫無(wú)
- 所屬分類：>
現(xiàn)代中國(guó)文化與文學(xué)(25) 內(nèi)容簡(jiǎn)介
本書(shū)力圖通過(guò)現(xiàn)代文化與現(xiàn)代文學(xué)、文學(xué)史新論、巴蜀文學(xué)重讀、對(duì)視與爭(zhēng)鳴、現(xiàn)代文學(xué)檔案等欄目，在更廣闊的學(xué)術(shù)平臺(tái)上整體把握20世紀(jì)的中國(guó)文學(xué)與文化，以強(qiáng)化問(wèn)題意識(shí)、倡導(dǎo)學(xué)術(shù)銳氣，極富學(xué)術(shù)價(jià)值。
現(xiàn)代中國(guó)文化與文學(xué)(25) 目錄
特稿 Feature Articles
詩(shī)是獨(dú)立而鮮活的生命——巴黎第七大學(xué)宇樂(lè)文教授訪談
Poetry is an independent and fresh life ——Interview with Prof． Victor Vuilleumier， Paris Diderot University
新視界 New Vision
夏衍作為知識(shí)人的純粹與不純粹——關(guān)于知識(shí)人問(wèn)題的一個(gè)知識(shí)人的自我對(duì)話
Xia Yan as the Pure and Impure Intellectual——Self-talk of an Intellectual about the Problem of Intellectuals
沈從文的神性思想與莊子的精神聯(lián)系
On the Spiritual Connection between Shen Congwen’s Divinity Thoughts and Zhuangzi
葉君健《山村》中的革命歷史敘述與海外傳播
The Revolutionary Historical Narration and Overseas Dissemination of Chun-Chan Yeh's Mountain Village
華語(yǔ)電影中的移工形象與全球資本權(quán)力再現(xiàn)——以《臺(tái)北星期天》、《爸媽不在家》為例
The Image of Southeast Asian Migrants Workers and the Representation of Global Capital Power in Chinese Films ——Taking Pinoy Sunday、Ilo Ilo as an example
“大文學(xué)”視野 The View of Great Literature
從民族國(guó)家的現(xiàn)代性成長(zhǎng)史來(lái)看《菊英的出嫁》的主題批評(píng)史
The History of Thematic Criticism of Ju Ying's Wedding From the Perspective of the Development of Modernity of the Nation-State
泰東圖書(shū)局與早期新文學(xué)的空間拓展
Taidong Publishing House and the Space Expansion of Early New Literature
“戰(zhàn)時(shí)經(jīng)濟(jì)生活”視野中的“未完成”文本——再論李劼人長(zhǎng)篇小說(shuō)《天魔舞》
The Unfinished Text in the Vision of Wartime Economic Life--On Li Jieren's Novel Tian Mo Wu
民國(guó)文學(xué)研究 Literary Study of the Republic of China
海派報(bào)刊中張愛(ài)玲的三重形象建構(gòu)
The Construction of Zhang Ailing's Triple Image in Shanghai Style Pictorials
“新眼光”與“新方法”：胡適的《詩(shī)經(jīng)》研究
New viewpoint and Approach：Hu Shi’s Study on the Book of Songs
從白話文學(xué)的整體視角重審詩(shī)之防御戰(zhàn)——以《詩(shī)之防御戰(zhàn)》、《譚詩(shī)》、《再譚詩(shī)》為考察中心
A Review of Poetry's Defensive Warfare From the Overall Perspective of Vernacular Literature —the Study of The Defensive War of Poetry， Talks on Poetry and Re-discussion on Poetry
《文學(xué)季刊》和1930年代的“學(xué)院”與“文壇”
The Connection between Literature Quarterly and The Academy and The Literary World in The 1930s
現(xiàn)代文學(xué)家的詞體變革之爭(zhēng)及其文學(xué)史意義——以“詞的解放運(yùn)動(dòng)”為中心
The Controversy for Transformation of Ci in Modern Litterateurs and Its Significance in Literature History——Centering on The Liberation Movement of Ci
抗戰(zhàn)文學(xué)研究 Literary Study of the Anti-Japanese War
稀世珍品：杜運(yùn)燮所佚組詩(shī)《機(jī)場(chǎng)通訊》
The Lost Series of Poems of Du Yunxie： Newsletters from the Airport
田園？抗戰(zhàn)？愛(ài)欲：綜論常任俠的新詩(shī)創(chuàng)作
Study on the New Poetry of Renxia Chang
邊地風(fēng)景體驗(yàn)與李霖燦游記散文創(chuàng)作
The Experience of Frontier Scenery of Li Lincan and the Creation of Traveling Prose
共和國(guó)文學(xué)研究 Literary Study of the People’s Republic of China
略論夏志清的“革命觀”——以《中國(guó)現(xiàn)代小說(shuō)史》為考察中心
A Brief Discussion on Xia Zhiqing's Viewpoint of Revolution——Take the History of Modern Chinese Novels as the Center of Investigation
文學(xué)的政治性書(shū)寫(xiě)及其評(píng)價(jià)——以張志民“十七年詩(shī)歌”為例
The Political Writing of Literature and its Evaluation——Illustrated by the case of Zhang Zhimin's “Seventeen-year poetry”(1949-1966)
“技巧”與形式的意識(shí)形態(tài)——重讀1980年代“現(xiàn)代派”的一個(gè)角度
Ideology of Technique and Form ——A Perspective of Rereading Chinese Modernist School in 1980s
學(xué)人·著述 Scholars？Works
“蝸牛”還是“圖釘”？——從世俗生活的角度看朱安的“不幸”
Snail or Pin? ——Zhu An’s Unfortunateness from the Perspective of Secular Life
意義與方法：中國(guó)現(xiàn)代通俗文學(xué)的學(xué)術(shù)史意義再呈現(xiàn)——評(píng)《民國(guó)文化與文學(xué)研究文從（第九編）？蘇州大學(xué)特輯》
Significances and Methods：the Meaning of Modern Chinese Popular Literature in the Academic History—— Comment on The Study of Culture and Literature of the Republic of China (Part 9) ？ Spe Edition of Suzhou University
現(xiàn)代性、經(jīng)典化與屬己性——評(píng)譚桂林《現(xiàn)代中國(guó)佛教文學(xué)史稿》
Modernity and Canonization ——Book Review of Tan Guilin’s The Draft of Modern Chinese Buddhist Literature
現(xiàn)代小說(shuō)研究的新收獲——讀顏同林《多元視角下的中國(guó)現(xiàn)代小說(shuō)》
New Achievements in the Research of Modern Novels ——Yan Tonglin's Viewing Chinese Modern Novels with Multiple Perspectives
詩(shī)是獨(dú)立而鮮活的生命——巴黎第七大學(xué)宇樂(lè)文教授訪談
Poetry is an independent and fresh life ——Interview with Prof． Victor Vuilleumier， Paris Diderot University
新視界 New Vision
夏衍作為知識(shí)人的純粹與不純粹——關(guān)于知識(shí)人問(wèn)題的一個(gè)知識(shí)人的自我對(duì)話
Xia Yan as the Pure and Impure Intellectual——Self-talk of an Intellectual about the Problem of Intellectuals
沈從文的神性思想與莊子的精神聯(lián)系
On the Spiritual Connection between Shen Congwen’s Divinity Thoughts and Zhuangzi
葉君健《山村》中的革命歷史敘述與海外傳播
The Revolutionary Historical Narration and Overseas Dissemination of Chun-Chan Yeh's Mountain Village
華語(yǔ)電影中的移工形象與全球資本權(quán)力再現(xiàn)——以《臺(tái)北星期天》、《爸媽不在家》為例
The Image of Southeast Asian Migrants Workers and the Representation of Global Capital Power in Chinese Films ——Taking Pinoy Sunday、Ilo Ilo as an example
“大文學(xué)”視野 The View of Great Literature
從民族國(guó)家的現(xiàn)代性成長(zhǎng)史來(lái)看《菊英的出嫁》的主題批評(píng)史
The History of Thematic Criticism of Ju Ying's Wedding From the Perspective of the Development of Modernity of the Nation-State
泰東圖書(shū)局與早期新文學(xué)的空間拓展
Taidong Publishing House and the Space Expansion of Early New Literature
“戰(zhàn)時(shí)經(jīng)濟(jì)生活”視野中的“未完成”文本——再論李劼人長(zhǎng)篇小說(shuō)《天魔舞》
The Unfinished Text in the Vision of Wartime Economic Life--On Li Jieren's Novel Tian Mo Wu
民國(guó)文學(xué)研究 Literary Study of the Republic of China
海派報(bào)刊中張愛(ài)玲的三重形象建構(gòu)
The Construction of Zhang Ailing's Triple Image in Shanghai Style Pictorials
“新眼光”與“新方法”：胡適的《詩(shī)經(jīng)》研究
New viewpoint and Approach：Hu Shi’s Study on the Book of Songs
從白話文學(xué)的整體視角重審詩(shī)之防御戰(zhàn)——以《詩(shī)之防御戰(zhàn)》、《譚詩(shī)》、《再譚詩(shī)》為考察中心
A Review of Poetry's Defensive Warfare From the Overall Perspective of Vernacular Literature —the Study of The Defensive War of Poetry， Talks on Poetry and Re-discussion on Poetry
《文學(xué)季刊》和1930年代的“學(xué)院”與“文壇”
The Connection between Literature Quarterly and The Academy and The Literary World in The 1930s
現(xiàn)代文學(xué)家的詞體變革之爭(zhēng)及其文學(xué)史意義——以“詞的解放運(yùn)動(dòng)”為中心
The Controversy for Transformation of Ci in Modern Litterateurs and Its Significance in Literature History——Centering on The Liberation Movement of Ci
抗戰(zhàn)文學(xué)研究 Literary Study of the Anti-Japanese War
稀世珍品：杜運(yùn)燮所佚組詩(shī)《機(jī)場(chǎng)通訊》
The Lost Series of Poems of Du Yunxie： Newsletters from the Airport
田園？抗戰(zhàn)？愛(ài)欲：綜論常任俠的新詩(shī)創(chuàng)作
Study on the New Poetry of Renxia Chang
邊地風(fēng)景體驗(yàn)與李霖燦游記散文創(chuàng)作
The Experience of Frontier Scenery of Li Lincan and the Creation of Traveling Prose
共和國(guó)文學(xué)研究 Literary Study of the People’s Republic of China
略論夏志清的“革命觀”——以《中國(guó)現(xiàn)代小說(shuō)史》為考察中心
A Brief Discussion on Xia Zhiqing's Viewpoint of Revolution——Take the History of Modern Chinese Novels as the Center of Investigation
文學(xué)的政治性書(shū)寫(xiě)及其評(píng)價(jià)——以張志民“十七年詩(shī)歌”為例
The Political Writing of Literature and its Evaluation——Illustrated by the case of Zhang Zhimin's “Seventeen-year poetry”(1949-1966)
“技巧”與形式的意識(shí)形態(tài)——重讀1980年代“現(xiàn)代派”的一個(gè)角度
Ideology of Technique and Form ——A Perspective of Rereading Chinese Modernist School in 1980s
學(xué)人·著述 Scholars？Works
“蝸牛”還是“圖釘”？——從世俗生活的角度看朱安的“不幸”
Snail or Pin? ——Zhu An’s Unfortunateness from the Perspective of Secular Life
意義與方法：中國(guó)現(xiàn)代通俗文學(xué)的學(xué)術(shù)史意義再呈現(xiàn)——評(píng)《民國(guó)文化與文學(xué)研究文從（第九編）？蘇州大學(xué)特輯》
Significances and Methods：the Meaning of Modern Chinese Popular Literature in the Academic History—— Comment on The Study of Culture and Literature of the Republic of China (Part 9) ？ Spe Edition of Suzhou University
現(xiàn)代性、經(jīng)典化與屬己性——評(píng)譚桂林《現(xiàn)代中國(guó)佛教文學(xué)史稿》
Modernity and Canonization ——Book Review of Tan Guilin’s The Draft of Modern Chinese Buddhist Literature
現(xiàn)代小說(shuō)研究的新收獲——讀顏同林《多元視角下的中國(guó)現(xiàn)代小說(shuō)》
New Achievements in the Research of Modern Novels ——Yan Tonglin's Viewing Chinese Modern Novels with Multiple Perspectives
展開(kāi)全部
現(xiàn)代中國(guó)文化與文學(xué)(25) 作者簡(jiǎn)介
李怡，男，北京師范大學(xué)文學(xué)院、四川大學(xué)文學(xué)院博士生導(dǎo)師，教授。主要研究方向?yàn)楝F(xiàn)代中國(guó)文化與文學(xué)。先后出版多部學(xué)術(shù)專著，發(fā)表學(xué)術(shù)論文若干。毛迅 ，四川大學(xué)文學(xué)與新聞學(xué)院教授，兼任中國(guó)高校影視藝術(shù)教育學(xué)會(huì)常務(wù)理事、四川省中國(guó)現(xiàn)當(dāng)代文學(xué)研究會(huì)副會(huì)長(zhǎng)、四川省文藝評(píng)論家協(xié)會(huì)理事等。1982年畢業(yè)于四川大學(xué)中文系，考入南京大學(xué)中文系攻讀中國(guó)現(xiàn)當(dāng)代文學(xué)專業(yè)碩士研究生，師承陳瘦竹、葉子銘、許志英先生等。1984年到四川大學(xué)中文系任教。近年來(lái)在廣播電視、文化產(chǎn)業(yè)等領(lǐng)域取得一系列研究成果。
書(shū)友推薦
- >
推拿
- >
經(jīng)典常談
- >
姑媽的寶刀
- >
伊索寓言-世界文學(xué)名著典藏-全譯本
- >
伯納黛特,你要去哪(2021新版)
- >
人文閱讀與收藏·良友文學(xué)叢書(shū):一天的工作
- >
二體千字文
- >
有舍有得是人生
本類暢銷
