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現代中國文化與文學(25) 版權信息
- ISBN：9787553110608
- 條形碼：9787553110608 ; 978-7-5531-1060-8
- 裝幀：一般輕型紙
- 冊數：暫無
- 重量：暫無
- 所屬分類：>
現代中國文化與文學(25) 內容簡介
本書力圖通過現代文化與現代文學、文學史新論、巴蜀文學重讀、對視與爭鳴、現代文學檔案等欄目，在更廣闊的學術平臺上整體把握20世紀的中國文學與文化，以強化問題意識、倡導學術銳氣，極富學術價值。
現代中國文化與文學(25) 目錄
特稿 Feature Articles
詩是獨立而鮮活的生命——巴黎第七大學宇樂文教授訪談
Poetry is an independent and fresh life ——Interview with Prof． Victor Vuilleumier， Paris Diderot University
新視界 New Vision
夏衍作為知識人的純粹與不純粹——關于知識人問題的一個知識人的自我對話
Xia Yan as the Pure and Impure Intellectual——Self-talk of an Intellectual about the Problem of Intellectuals
沈從文的神性思想與莊子的精神聯系
On the Spiritual Connection between Shen Congwen’s Divinity Thoughts and Zhuangzi
葉君健《山村》中的革命歷史敘述與海外傳播
The Revolutionary Historical Narration and Overseas Dissemination of Chun-Chan Yeh's Mountain Village
華語電影中的移工形象與全球資本權力再現——以《臺北星期天》、《爸媽不在家》為例
The Image of Southeast Asian Migrants Workers and the Representation of Global Capital Power in Chinese Films ——Taking Pinoy Sunday、Ilo Ilo as an example
“大文學”視野 The View of Great Literature
從民族國家的現代性成長史來看《菊英的出嫁》的主題批評史
The History of Thematic Criticism of Ju Ying's Wedding From the Perspective of the Development of Modernity of the Nation-State
泰東圖書局與早期新文學的空間拓展
Taidong Publishing House and the Space Expansion of Early New Literature
“戰時經濟生活”視野中的“未完成”文本——再論李劼人長篇小說《天魔舞》
The Unfinished Text in the Vision of Wartime Economic Life--On Li Jieren's Novel Tian Mo Wu
民國文學研究 Literary Study of the Republic of China
海派報刊中張愛玲的三重形象建構
The Construction of Zhang Ailing's Triple Image in Shanghai Style Pictorials
“新眼光”與“新方法”：胡適的《詩經》研究
New viewpoint and Approach：Hu Shi’s Study on the Book of Songs
從白話文學的整體視角重審詩之防御戰——以《詩之防御戰》、《譚詩》、《再譚詩》為考察中心
A Review of Poetry's Defensive Warfare From the Overall Perspective of Vernacular Literature —the Study of The Defensive War of Poetry， Talks on Poetry and Re-discussion on Poetry
《文學季刊》和1930年代的“學院”與“文壇”
The Connection between Literature Quarterly and The Academy and The Literary World in The 1930s
現代文學家的詞體變革之爭及其文學史意義——以“詞的解放運動”為中心
The Controversy for Transformation of Ci in Modern Litterateurs and Its Significance in Literature History——Centering on The Liberation Movement of Ci
抗戰文學研究 Literary Study of the Anti-Japanese War
稀世珍品：杜運燮所佚組詩《機場通訊》
The Lost Series of Poems of Du Yunxie： Newsletters from the Airport
田園？抗戰？愛欲：綜論常任俠的新詩創作
Study on the New Poetry of Renxia Chang
邊地風景體驗與李霖燦游記散文創作
The Experience of Frontier Scenery of Li Lincan and the Creation of Traveling Prose
共和國文學研究 Literary Study of the People’s Republic of China
略論夏志清的“革命觀”——以《中國現代小說史》為考察中心
A Brief Discussion on Xia Zhiqing's Viewpoint of Revolution——Take the History of Modern Chinese Novels as the Center of Investigation
文學的政治性書寫及其評價——以張志民“十七年詩歌”為例
The Political Writing of Literature and its Evaluation——Illustrated by the case of Zhang Zhimin's “Seventeen-year poetry”(1949-1966)
“技巧”與形式的意識形態——重讀1980年代“現代派”的一個角度
Ideology of Technique and Form ——A Perspective of Rereading Chinese Modernist School in 1980s
學人·著述 Scholars？Works
“蝸牛”還是“圖釘”？——從世俗生活的角度看朱安的“不幸”
Snail or Pin? ——Zhu An’s Unfortunateness from the Perspective of Secular Life
意義與方法：中國現代通俗文學的學術史意義再呈現——評《民國文化與文學研究文從（第九編）？蘇州大學特輯》
Significances and Methods：the Meaning of Modern Chinese Popular Literature in the Academic History—— Comment on The Study of Culture and Literature of the Republic of China (Part 9) ？ Spe Edition of Suzhou University
現代性、經典化與屬己性——評譚桂林《現代中國佛教文學史稿》
Modernity and Canonization ——Book Review of Tan Guilin’s The Draft of Modern Chinese Buddhist Literature
現代小說研究的新收獲——讀顏同林《多元視角下的中國現代小說》
New Achievements in the Research of Modern Novels ——Yan Tonglin's Viewing Chinese Modern Novels with Multiple Perspectives
詩是獨立而鮮活的生命——巴黎第七大學宇樂文教授訪談
Poetry is an independent and fresh life ——Interview with Prof． Victor Vuilleumier， Paris Diderot University
新視界 New Vision
夏衍作為知識人的純粹與不純粹——關于知識人問題的一個知識人的自我對話
Xia Yan as the Pure and Impure Intellectual——Self-talk of an Intellectual about the Problem of Intellectuals
沈從文的神性思想與莊子的精神聯系
On the Spiritual Connection between Shen Congwen’s Divinity Thoughts and Zhuangzi
葉君健《山村》中的革命歷史敘述與海外傳播
The Revolutionary Historical Narration and Overseas Dissemination of Chun-Chan Yeh's Mountain Village
華語電影中的移工形象與全球資本權力再現——以《臺北星期天》、《爸媽不在家》為例
The Image of Southeast Asian Migrants Workers and the Representation of Global Capital Power in Chinese Films ——Taking Pinoy Sunday、Ilo Ilo as an example
“大文學”視野 The View of Great Literature
從民族國家的現代性成長史來看《菊英的出嫁》的主題批評史
The History of Thematic Criticism of Ju Ying's Wedding From the Perspective of the Development of Modernity of the Nation-State
泰東圖書局與早期新文學的空間拓展
Taidong Publishing House and the Space Expansion of Early New Literature
“戰時經濟生活”視野中的“未完成”文本——再論李劼人長篇小說《天魔舞》
The Unfinished Text in the Vision of Wartime Economic Life--On Li Jieren's Novel Tian Mo Wu
民國文學研究 Literary Study of the Republic of China
海派報刊中張愛玲的三重形象建構
The Construction of Zhang Ailing's Triple Image in Shanghai Style Pictorials
“新眼光”與“新方法”：胡適的《詩經》研究
New viewpoint and Approach：Hu Shi’s Study on the Book of Songs
從白話文學的整體視角重審詩之防御戰——以《詩之防御戰》、《譚詩》、《再譚詩》為考察中心
A Review of Poetry's Defensive Warfare From the Overall Perspective of Vernacular Literature —the Study of The Defensive War of Poetry， Talks on Poetry and Re-discussion on Poetry
《文學季刊》和1930年代的“學院”與“文壇”
The Connection between Literature Quarterly and The Academy and The Literary World in The 1930s
現代文學家的詞體變革之爭及其文學史意義——以“詞的解放運動”為中心
The Controversy for Transformation of Ci in Modern Litterateurs and Its Significance in Literature History——Centering on The Liberation Movement of Ci
抗戰文學研究 Literary Study of the Anti-Japanese War
稀世珍品：杜運燮所佚組詩《機場通訊》
The Lost Series of Poems of Du Yunxie： Newsletters from the Airport
田園？抗戰？愛欲：綜論常任俠的新詩創作
Study on the New Poetry of Renxia Chang
邊地風景體驗與李霖燦游記散文創作
The Experience of Frontier Scenery of Li Lincan and the Creation of Traveling Prose
共和國文學研究 Literary Study of the People’s Republic of China
略論夏志清的“革命觀”——以《中國現代小說史》為考察中心
A Brief Discussion on Xia Zhiqing's Viewpoint of Revolution——Take the History of Modern Chinese Novels as the Center of Investigation
文學的政治性書寫及其評價——以張志民“十七年詩歌”為例
The Political Writing of Literature and its Evaluation——Illustrated by the case of Zhang Zhimin's “Seventeen-year poetry”(1949-1966)
“技巧”與形式的意識形態——重讀1980年代“現代派”的一個角度
Ideology of Technique and Form ——A Perspective of Rereading Chinese Modernist School in 1980s
學人·著述 Scholars？Works
“蝸牛”還是“圖釘”？——從世俗生活的角度看朱安的“不幸”
Snail or Pin? ——Zhu An’s Unfortunateness from the Perspective of Secular Life
意義與方法：中國現代通俗文學的學術史意義再呈現——評《民國文化與文學研究文從（第九編）？蘇州大學特輯》
Significances and Methods：the Meaning of Modern Chinese Popular Literature in the Academic History—— Comment on The Study of Culture and Literature of the Republic of China (Part 9) ？ Spe Edition of Suzhou University
現代性、經典化與屬己性——評譚桂林《現代中國佛教文學史稿》
Modernity and Canonization ——Book Review of Tan Guilin’s The Draft of Modern Chinese Buddhist Literature
現代小說研究的新收獲——讀顏同林《多元視角下的中國現代小說》
New Achievements in the Research of Modern Novels ——Yan Tonglin's Viewing Chinese Modern Novels with Multiple Perspectives
展開全部
現代中國文化與文學(25) 作者簡介
李怡，男，北京師范大學文學院、四川大學文學院博士生導師，教授。主要研究方向為現代中國文化與文學。先后出版多部學術專著，發表學術論文若干。毛迅 ，四川大學文學與新聞學院教授，兼任中國高校影視藝術教育學會常務理事、四川省中國現當代文學研究會副會長、四川省文藝評論家協會理事等。1982年畢業于四川大學中文系，考入南京大學中文系攻讀中國現當代文學專業碩士研究生，師承陳瘦竹、葉子銘、許志英先生等。1984年到四川大學中文系任教。近年來在廣播電視、文化產業等領域取得一系列研究成果。
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