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許淵沖譯唐詩三百首:漢文·英語
二十世紀英國戲劇 版權信息
- ISBN：9787301161654
- 條形碼：9787301161654 ; 978-7-301-16165-4
- 裝幀：一般膠版紙
- 冊數(shù)：暫無
- 重量：暫無
- 所屬分類：>>
二十世紀英國戲劇 本書特色
《二十世紀英國戲劇》：北京市高等教育精品教材立項項目
二十世紀英國戲劇 內容簡介
本書作者力圖描摹那發(fā)生在昨天英戲丹青上的跌宕起伏，和讀者一起坐觀云卷云舒，共仰那高過云端的一片燦爛。二十世紀英國文學之大事莫過于英戲的繁榮，先是愛爾蘭戲劇的復興和蕭伯納經典的誕生，之后便是約翰·奧斯本的《憤怒的回顧》譜寫了戲劇史上的神話，也由此揭開了英國戲劇連綿半個世紀波瀾壯闊的畫卷——阿諾德·威斯克、愛德華·邦德、哈羅德·品特、霍華德·布倫頓、大衛(wèi)·埃德伽、大衛(wèi)·海爾和湯姆·斯托帕特、卡里爾·丘吉爾——由莎氏代表的文藝復興仿佛看到了可與自己對峙的群峰。透過對四個階段十二位劇作家及作品的介紹和評述，本書作者力圖描摹那發(fā)生在昨天英戲丹青上的跌宕起伏，和讀者一起坐觀云卷去舒，共仰那高過云端的一片燦爛。
二十世紀英國戲劇 目錄
pre-war british drama
chapter 1 pre-war british drama
chapter 2 george bernard shaw: pygmalion
chapter 3 john millington synge: the tinker's wedding
"new drama" and the first wave
chapter 4 post-1956 "new drama" and the first wave
chapter 5 john osborne: look back in anger
chapter 6 arnold wesker: chicken soup with barley
chapter 7 edward bond: lear
chapter 8 harold pinter: the dumb waiter
the second wave
chapter 9 the second wave of post-war british drama
chapter 10 tom stoppard: rosencrantz and guildenstern are dead
chapter 11 howard brenten: the romans in britain
chapter 12 david hare: skylight
women dramatists
chapter 13 women dramatists after 1970s and alternative heatres
chapter 14 caryl churchill: vinegar tom
chapter 15 sarah kane: blasted
selective bibiliography
chapter 1 pre-war british drama
chapter 2 george bernard shaw: pygmalion
chapter 3 john millington synge: the tinker's wedding
"new drama" and the first wave
chapter 4 post-1956 "new drama" and the first wave
chapter 5 john osborne: look back in anger
chapter 6 arnold wesker: chicken soup with barley
chapter 7 edward bond: lear
chapter 8 harold pinter: the dumb waiter
the second wave
chapter 9 the second wave of post-war british drama
chapter 10 tom stoppard: rosencrantz and guildenstern are dead
chapter 11 howard brenten: the romans in britain
chapter 12 david hare: skylight
women dramatists
chapter 13 women dramatists after 1970s and alternative heatres
chapter 14 caryl churchill: vinegar tom
chapter 15 sarah kane: blasted
selective bibiliography
展開全部
二十世紀英國戲劇 節(jié)選
《二十世紀英國戲劇》作者力圖描摹那發(fā)生在昨天英戲丹青上的跌宕起伏，和讀者一起坐觀云卷云舒，共仰那高過云端的一片燦爛。二十世紀英國文學之大事莫過于英戲的繁榮，先是愛爾蘭戲劇的復興和蕭伯納經典的誕生，之后便是約翰·奧斯本的《憤怒的回顧》譜寫了戲劇史上的神話，也由此揭開了英國戲劇連綿半個世紀波瀾壯闊的畫卷——阿諾德·威斯克、愛德華·邦德、哈羅德·品特、霍華德·布倫頓、大衛(wèi)·埃德伽、大衛(wèi)·海爾和湯姆·斯托帕特、卡里爾·丘吉爾——由莎氏代表的文藝復興仿佛看到了可與自己對峙的群峰。透過對四個階段十二位劇作家及作品的介紹和評述，《二十世紀英國戲劇》作者力圖描摹那發(fā)生在昨天英戲丹青上的跌宕起伏，和讀者一起坐觀云卷去舒，共仰那高過云端的一片燦爛。
二十世紀英國戲劇 相關資料
The play is built on the title character Christy Mahon, a hapless but likeable young man, who thinks he has killed his father in a fight and escapes to a remote part of north Mayo. The local publican, Micheal James, allows him to remain as a potboy to safeguard his daughter, Pegeen Mike, while he attends a wake. Pegeen Mike, an attractive, strong-willed, and quick-tempered young woman, falls in love with Christy, much to the indignation of her cousin and would-be suitor Shawn Keogh. Like Michael Dara in The Shadow of the Glen, Keogh's character, weak, cowardly and in thrall to the Catholic church in the form of the local priest, forms a sharp contrast to Christy as Synge's embodiment of the "rampant, double-chinned vulgarity" that he observed on his travels in the west of Ireland. Pegeen Mike draws from Christy the confession that he has killed his father with the blow of "a loy." This news spreads like wildfire among the tightly policed community of the peninsula. Christy's romantic tale of parricide makes him a hero among the local women, being pursued not only by Pegeen but also Widow Quin who remains loyal to him to the end. Christy's valor at the local sports in winning the horse race on the strand confirms his role as a hero and makes him truly "the playboy of western world." But then, Old Mahon, Christy's father, shows up with a bandaged head and exposes him. The villagers give up their embrace of Christy, and turn upon their hero despite his offer to "slay his da" a second time. Pegeen leads them in the effort to bring him to due process of the law. Appalled by seeing Pegeen turn on him, Christy escapes from their clutches and tames his bullying father. Then the father and son wander off together from the stage, leaving Pegeen disappointed and protesting in an agony of "Oh my grief, I 're lost him surely. I've lost the only Playboy of the Western World." Even when the play was in rehearsal, Lady Gregory had written to Synge, "I feel we are beginning the
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