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包郵 英國(guó)文學(xué)與文化(高級(jí)英語(yǔ)選修課系列教材)
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高級(jí)英語(yǔ)選修課系列教材
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英國(guó)文學(xué)與文化(高級(jí)英語(yǔ)選修課系列教材) 版權(quán)信息
- ISBN：9787300101347
- 條形碼：9787300101347 ; 978-7-300-10134-7
- 裝幀：暫無(wú)
- 冊(cè)數(shù)：暫無(wú)
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英國(guó)文學(xué)與文化(高級(jí)英語(yǔ)選修課系列教材) 內(nèi)容簡(jiǎn)介
本書(shū)由上篇文化篇和下篇文學(xué)篇組成。上篇著重從圣經(jīng)、希臘神話和英國(guó)社會(huì)的角度，來(lái)解讀英國(guó)文學(xué)作品和文學(xué)史發(fā)展特征；下篇按文學(xué)的三大主要文類(lèi)編排，旨在指導(dǎo)學(xué)生欣賞英國(guó)詩(shī)歌、英國(guó)小說(shuō)和英國(guó)戲劇。
每章由導(dǎo)讀、文本和思考題組成，既有總體引導(dǎo)，又有文本例釋?zhuān)湟跃毩?xí)題，以深化理解。教材內(nèi)容豐富、選材廣泛，可作為高校非英語(yǔ)專(zhuān)業(yè)選修課程的教材或外語(yǔ)學(xué)院英語(yǔ)專(zhuān)業(yè)英國(guó)文學(xué)課程的參考書(shū)，也是廣大英語(yǔ)自學(xué)者和英國(guó)文學(xué)愛(ài)好者的可選讀物。
英國(guó)文學(xué)與文化(高級(jí)英語(yǔ)選修課系列教材) 目錄
Part One
Chapter One The Bible and British Literature
Introduction to the Bible
Section One：Important Biblical Characters
Selected Reading：Paradise Lost by John Milton
Section Two：Important Biblical Themes——Christian Virtues
Selected Reading：The Merchant of Venice by William Shakespeare
Section Three：Biblical Imagery
Selected Reading：Tess of the d'Urbervilles by Thomas Hardy
Chapter Two Greek Mythology and British Literature
Introduction to Greek Mythology
Greek Mythology in British Literature
Selected Readings
Pygmalion by George Bernard Shaw
Sonnet XXXIII：Methought I Saw My Late Espoused Saint by John Milton
The Garden by Andrew Marvell
Chapter Three British Society and British Literature
Section One：English Renaissance and Humanism
Selected Reading：Sonnet 18 by William Shakespeare
Section Two：Metaphysical Poetry and English Society in the Early 17 Century
Selected Reading：A Valediction：Forbidden Mourning by John Donne
Section Three：Literature in English Revolution and Restoration Period
Selected Reading：Pilgrim's Progress by John Bunyan
Section Four：Neo-Classicism
Selected Reading：Epigrams by Alexander Pope
Section Five：English Romanticism
Selected Reading：The Isles of Greece by Lord Byron
Section Six：Critical Realism
Selected Reading：Oliver Twist by Charles Dickens
Section Seven：Aestheticism
Selected Reading：The Picture of Dorian Gray by Oscar Wilde
Section Eight：British Modernism
Selected Reading：Araby by James Joyce
Part Two
Chapter Four British Poetry
Key Questions to the Art of Poetry
Sample Analysis ：The Lake Isle oflnnisfree by William Butler Yeats
Selected Readings
The Passionate Shepherd to His Love by Christopher Marlowe
Sonnet 43 by William Shakespeare
Death, Be Not Proud by John Donne
A Red Red Rose by Robert Bums
I Wandered Lonely as a Cloud by William Wordsworth
When We Two Parted by George Gordon Byron
Ozymandias by Percy Bysshe Shelley
The Eagle：A Fragment by Alfred Tennyson
Do Not Go Gentle into that Good Night by Dylan Thomas
Chapter Five British Fiction
Key Questions to the Art of Fiction
Selected Readings
Robinson Crusoe by Daniel Defoe
Pride and Prejudice by Jane Austen
Jane Eyre by Charlotte Bronte
Sons and Lovers by D. H. Lawrence
Chapter Six British Drama
Key Questions to the Art of Drama
Selected Readings
Hamlet by William Shakespeare
The Merchant of Venice by William Shakespeare
The Importance of Being Earnest by Oscar Wilde
Waiting for Godot by Samuel Beckett
參考文獻(xiàn)
Chapter One The Bible and British Literature
Introduction to the Bible
Section One：Important Biblical Characters
Selected Reading：Paradise Lost by John Milton
Section Two：Important Biblical Themes——Christian Virtues
Selected Reading：The Merchant of Venice by William Shakespeare
Section Three：Biblical Imagery
Selected Reading：Tess of the d'Urbervilles by Thomas Hardy
Chapter Two Greek Mythology and British Literature
Introduction to Greek Mythology
Greek Mythology in British Literature
Selected Readings
Pygmalion by George Bernard Shaw
Sonnet XXXIII：Methought I Saw My Late Espoused Saint by John Milton
The Garden by Andrew Marvell
Chapter Three British Society and British Literature
Section One：English Renaissance and Humanism
Selected Reading：Sonnet 18 by William Shakespeare
Section Two：Metaphysical Poetry and English Society in the Early 17 Century
Selected Reading：A Valediction：Forbidden Mourning by John Donne
Section Three：Literature in English Revolution and Restoration Period
Selected Reading：Pilgrim's Progress by John Bunyan
Section Four：Neo-Classicism
Selected Reading：Epigrams by Alexander Pope
Section Five：English Romanticism
Selected Reading：The Isles of Greece by Lord Byron
Section Six：Critical Realism
Selected Reading：Oliver Twist by Charles Dickens
Section Seven：Aestheticism
Selected Reading：The Picture of Dorian Gray by Oscar Wilde
Section Eight：British Modernism
Selected Reading：Araby by James Joyce
Part Two
Chapter Four British Poetry
Key Questions to the Art of Poetry
Sample Analysis ：The Lake Isle oflnnisfree by William Butler Yeats
Selected Readings
The Passionate Shepherd to His Love by Christopher Marlowe
Sonnet 43 by William Shakespeare
Death, Be Not Proud by John Donne
A Red Red Rose by Robert Bums
I Wandered Lonely as a Cloud by William Wordsworth
When We Two Parted by George Gordon Byron
Ozymandias by Percy Bysshe Shelley
The Eagle：A Fragment by Alfred Tennyson
Do Not Go Gentle into that Good Night by Dylan Thomas
Chapter Five British Fiction
Key Questions to the Art of Fiction
Selected Readings
Robinson Crusoe by Daniel Defoe
Pride and Prejudice by Jane Austen
Jane Eyre by Charlotte Bronte
Sons and Lovers by D. H. Lawrence
Chapter Six British Drama
Key Questions to the Art of Drama
Selected Readings
Hamlet by William Shakespeare
The Merchant of Venice by William Shakespeare
The Importance of Being Earnest by Oscar Wilde
Waiting for Godot by Samuel Beckett
參考文獻(xiàn)
展開(kāi)全部
英國(guó)文學(xué)與文化(高級(jí)英語(yǔ)選修課系列教材) 節(jié)選
Chapter Two Greek Mythology and British Literature
Introduction to Greek Mythology
II Origins，Sources and Development of Greek Mythology
2.1 The Origin of Greek Mythology
Linguists have concluded that some names of Greek deities，including Zeus，can be traced back to gods worshiped by speakers of the Proto-Indo-European language，the common ancestor of the Greek，Latin，and Sanskrit languages。However，it would be misleading to regard the people who may have spoken this language as the only contributors to Greek mythology，for many other elements were added later.
Archaeologists have shown that many of the places where mythical events presumably took place correspond to sites that had historical importance during the Mycenaean period of Greek history （second half of the 2nd millennium BC）。
Scholars thus consider it likely that the Mycenaeans made a major contribution to the development of the stories，even if this contribution is hard to demonstrate in detail。Some scholars have argued that the Minoan civilization of Crete also had a formative influence on Greek myths。The myth of the Minotaur confined in a labyrinth in the palace of King Minos，for example，might be a memory of historical bull-worship in the labyrinthine palace at Knossos on Crete。However，there is little evidence that Cretan religion survived in Greece。Moreover，ancient inscriptions have not confirmed thatMinos ever existed outside of myth.
Scholars have shown that Middle Eastern influences were more influential to ancient Greek mythology than Cretan myths。Greek mythology owed much to cultures in Mesopotamia and Anatolia，especially in the realm of cosmogony （origin of the universe） and theogony （origin of the gods）。To take one example，a clear parallel exists in an early Middle Eastern myth for Greek poet Hesiod's story about the castration of Uranus by his son Cronus and the subsequent overthrow of Cronus by his son Zeus。
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