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繪本藝術(shù) 版權(quán)信息
- ISBN：9787521007459
- 條形碼：9787521007459 ; 978-7-5210-0745-9
- 裝幀：一般膠版紙
- 冊(cè)數(shù)：暫無(wú)
- 重量：暫無(wú)
- 所屬分類：>
繪本藝術(shù) 內(nèi)容簡(jiǎn)介
在歐美發(fā)達(dá)國(guó)家，繪本的地位和價(jià)值很高，已被視為兒童啟蒙階段的重要教育途徑，成人世界的精神食糧。繪本是藝術(shù)留學(xué)中的熱門專業(yè)，市場(chǎng)創(chuàng)造的價(jià)值也在持續(xù)增長(zhǎng)。而在國(guó)內(nèi)，繪本的概念還相對(duì)模糊。尤其在繪本教學(xué)中，多停留在去探討繪本的風(fēng)格，而較少推敲創(chuàng)作技巧。可是，沒有行之有效的技巧，繪本的創(chuàng)作始終不能提高。繪本的奧秘不經(jīng)過(guò)講解不明白。如果，我們不從制作者的角度解析思考，就永遠(yuǎn)體會(huì)不到微妙之道。本書詳細(xì)講解了繪本的編繪原理與創(chuàng)作技巧，主要內(nèi)容包括繪本簡(jiǎn)史、繪本創(chuàng)作構(gòu)思、媒材與技法、角色的創(chuàng)造、故事的創(chuàng)作、繪本文本與分鏡、封面與字體排版設(shè)計(jì)等。
繪本藝術(shù) 目錄
**章 繪本簡(jiǎn)史
A Brief History of Picture Book
節(jié) 繪本概述·················002
一、繪本的定義··············002
二、繪本之力·················003
第二節(jié) 繪本的誕生與歷史 ····007
一、繪本的誕生··············007
二、歐美繪本——繪本的搖籃 ··························································010
三、日本繪本——繪卷物語(yǔ) ·····························································022
四、中國(guó)繪本的發(fā)展 ·······030
第三節(jié) 繪本的民族化與世界性 ·····························································039
一、中國(guó)民族動(dòng)漫的發(fā)展 ·039
二、華裔繪本畫家楊志成 ·041
三、白金時(shí)期——21世紀(jì)的繪本 ·······················································050
第四節(jié) 世界經(jīng)典繪本賞析 ····055
第二章 繪本的創(chuàng)作構(gòu)思
Picture Book Creation
節(jié) 從觀察進(jìn)入想象 ·······066
一、速寫本與草圖的重要性 ·····························································066
二、從草圖進(jìn)入想象的方法 ·····························································070
第二節(jié) 從生活中獲取靈感的方法 ··························································080
目 錄
ii
繪本藝術(shù)
The Art of Picture Book
一、漫畫日記法··············080
二、無(wú)意識(shí)寫作法 ··········082
第三節(jié) 國(guó)際獲獎(jiǎng)繪本作品賞析 ·····························································085
一、自由飛翔的大衛(wèi)·威斯納 ··························································085
二、橫掃大獎(jiǎng)的繪本畫家——蘇菲·布萊科爾 ·····································091
第三章 技法與媒材
Techniques & Media
節(jié) 色彩理論·················100
一、孟塞爾色彩體系與色彩三要素 ····················································101
二、原色模型·················103
三、色彩基礎(chǔ)搭配 ··········109
第二節(jié) 色彩心理學(xué)··············112
一、紅色——嬰兒識(shí)別的 種原色 ·················································112
二、橘色——活力與異域的味道 ·······················································113
三、黃色——幸福與貪婪的顏色 ·······················································114
四、綠色——生命與病毒的象征 ·······················································115
五、藍(lán)色——浪漫與靈性的詩(shī)歌 ·······················································116
六、紫色——神秘與傲慢的氣息 ·······················································116
七、粉色——生物的黏膜色 ·····························································118
八、黑色——力量與恐懼的暗示 ·······················································118
九、白色——純真與死亡的旋律 ·······················································119
第三節(jié) 用色彩設(shè)計(jì)畫面 ·······120
一、與孩子溝通的視覺編碼 ·····························································120
二、顏色的聯(lián)想和象征 ····123
三、黑白畫中的亮色 ·······124
四、黑白和彩色的切換 ····126
iii
目 錄
CONTENTS
第四節(jié) 傳統(tǒng)繪本技法 ··········127
一、水彩·······················127
二、淡彩·······················130
三、水墨·······················132
四、剪紙·······················135
五、紙雕·······················136
六、油畫與丙烯··············137
七、粉彩·······················140
八、黑白風(fēng)····················142
第五節(jié) 新媒體····················147
一、混合媒材與拼貼 ·······147
二、立體書與玩具書 ·······151
三、電腦繪畫·················153
四、動(dòng)態(tài)繪本·················161
五、交互繪本·················163
第四章 角色的創(chuàng)造
Character Creation
節(jié) 喚醒沒有生命的東西 ·168
一、觀察之力·················168
二、看見與再現(xiàn)··············169
三、觀察之力作品賞析 ····169
四、角色研究·················173
第二節(jié) 賦予角色生命力 ·······178
一、角色為王·················178
二、角色設(shè)計(jì)三要素之一：內(nèi)心活動(dòng) ··················································180
三、角色設(shè)計(jì)三要素之二：視覺差異 ··················································183
iv
繪本藝術(shù)
The Art of Picture Book
四、角色設(shè)計(jì)三要素之三：表達(dá)型特質(zhì) ···············································192
第三節(jié) 以動(dòng)物為角色 ··········195
一、以動(dòng)物為角色的經(jīng)典作品 ··························································195
二、如何讓你塑造的角色更可信——了解你的角色 ·······························197
第五章 故事的創(chuàng)作
Story Creation
節(jié) 故事創(chuàng)意形成的方法 ·202
一、繪本的構(gòu)想··············202
二、創(chuàng)意的源頭··············202
三、案例分析：加古里子——日本繪本的創(chuàng)意大王 ································203
第二節(jié) 故事主題·················208
一、故事原型與規(guī)則 ·······208
二、簡(jiǎn)單的主題——“十四支箭”原則 ··············································212
三、普遍性主題··············212
四、繪本故事的經(jīng)典主題 ·213
五、題材·······················214
第三節(jié) 確定目標(biāo)讀者 ··········220
一、 0—2 歲——1 拍 ········220
二、0—3 歲——2 拍 ·······222
三、3—6 歲——2 拍1 ·····225
四、3 拍 ·······················227
五、12 拍 ······················229
六、成人繪本的節(jié)奏 ·······232
第四節(jié) 構(gòu)想的方法··············234
一、從觀察寫生開始 ·······234
二、從一個(gè)角色開始 ·······234
v
目 錄
CONTENTS
三、從涂鴉開始··············234
四、從一件小事開始 ·······235
五、從缺陷開始··············235
六、從一個(gè)新聞開始 ·······235
第五節(jié) 定向研究能力 ··········236
一、定向研究的起點(diǎn) ·······236
二、尋找靈感·················237
三、從感覺出發(fā)··············237
四、研究視覺效果 ··········237
第六節(jié) 故事內(nèi)容的推進(jìn) ·······238
一、基本型····················238
二、直進(jìn)型····················240
三、并列型····················240
四、地圖型····················242
五、起伏型····················243
六、金字塔型·················243
七、旋復(fù)式····················243
第六章 繪本文本與分鏡
Text & Story Board
節(jié) 繪本文本創(chuàng)作 ··········248
一、文字創(chuàng)作的6 個(gè)規(guī)律 ·248
二、現(xiàn)代詩(shī)歌寫作的10 個(gè)技巧 ·························································249
三、詩(shī)歌繪本賞析 ··········255
四、為詩(shī)歌配圖··············260
第二節(jié) 無(wú)字繪本創(chuàng)作 ··········261
一、招數(shù)一：時(shí)間到時(shí)間 ··261
vi
繪本藝術(shù)
The Art of Picture Book
二、招數(shù)二：動(dòng)作到動(dòng)作 ··262
三、招數(shù)三：連戲 ···········263
四、招數(shù)四：蒙太奇 ········264
第三節(jié) 繪本分鏡設(shè)計(jì) ··········266
一、招式一：畫面的大小 ··266
二、招式二：時(shí)間與空間 ··268
三、招式三：巧妙地隱藏細(xì)節(jié) ···························································276
四、招式四：留白的意境 ··282
五、招式五：視角的力量 ··284
六、招式六：節(jié)奏產(chǎn)生動(dòng)感 ······························································288
第七章 繪本圖書整體設(shè)計(jì)
Cover, Font & Layout Design
節(jié) 繪本的裝幀設(shè)計(jì) ·······292
一、封面設(shè)計(jì)·················292
二、書脊設(shè)計(jì)·················303
三、環(huán)襯設(shè)計(jì)·················305
四、扉頁(yè)設(shè)計(jì)·················308
五、封底設(shè)計(jì)·················311
第二節(jié) 繪本的版式設(shè)計(jì) ·······312
一、開本·······················312
二、折頁(yè)與散頁(yè)··············312
三、頁(yè)面的方向··············313
四、頁(yè)面的留白與空白 ····315
五、文字的排列··············320
六、框線的設(shè)計(jì)··············323
目 錄
CONTENTS
第三節(jié) 繪本的字體設(shè)計(jì) ·······326
一、字體設(shè)計(jì)的基本術(shù)語(yǔ) ·326
二、字體分類·················329
三、字體基礎(chǔ)改造方法 ····332
四、字體的性格··············334
五、造字的創(chuàng)意類型 ·······335
第四節(jié) 造字練習(xí)·················341
主要參考文獻(xiàn) ····················343
xiii
展開全部
繪本藝術(shù) 作者簡(jiǎn)介
國(guó)天依，美國(guó)加州藝術(shù)學(xué)院碩士，北京電影學(xué)院漫畫專業(yè)大學(xué)本科畢業(yè)。北京電影學(xué)院繪本繪制課老師、北京電影學(xué)院漫畫方向畢業(yè)設(shè)計(jì)與論文輔導(dǎo)老師、ASIFA國(guó)際動(dòng)畫協(xié)會(huì)中國(guó)分會(huì)成員。赴美國(guó)留學(xué)三年，繪本作品《Time in the Bottle》參加在美國(guó)舊金山灣區(qū)舉辦的個(gè)人畫展。
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