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品特戲劇中的權力與政治(英文) 版權信息
- ISBN：9787564237325
- 條形碼：9787564237325 ; 978-7-5642-3732-5
- 裝幀：一般膠版紙
- 冊數：暫無
- 重量：暫無
- 所屬分類：>
品特戲劇中的權力與政治(英文) 內容簡介
本書將哈羅德﹒品特放在一個大的文學和社會背景中，從文本細讀入手，結合社會背景和作家本人的生平資料與作家思想進行研究，運用福柯的權力和政治理論，從多角度分析他的早期和后期作品的權力和政治主題，探討他的思想性和與眾不同的藝術性。文章結論認為品特是一名高度負責和關注人生的藝術家，他畢生探索權力與政治以及人類生存狀況，對當代政治世界和文學世界做出了偉大貢獻。他的政治戲劇是他一生對如何用藝術形式表達他的政治關注的探索的結果。 本書為施贊的專著，正文使用語種為英文。
品特戲劇中的權力與政治(英文) 目錄
Acknowledgements
摘要
Abstract
Introduction
0．1 Biographical notes on Harold Pinter
0．2 Understanding Pinter's works
0．3 Literature review of researches on Pinter's plays
0．3．1 Pinter's status in the literary world
0．3．2 Pinter as an Absurdist
0．3．3 Pinter's language
0．3．4 Freudian interpretation
0．3．5 Gender interpretation
0．3．6 Pinter's politics
0．4 The argument of the dissertation
Chapter One Pinter's political concerns in his Comedy of Menace
1．1 The general conditions after WWII
1．2 The Theatre of the Absurd
1．3 Pinter's Comedy of Menace
1．4 The significance of the Comedy of Menace
Chapter Two Pinter's small "p" politics： Struggle for Power
2．1 Micro-power in Pinter's early plays
2．1．1 Power as relationship
2．1．2 Power as a network
2．1．3 Power as subjectless and decentered and omnipresent
2．1．4 Power related to knowledge and truth
2．2 Influences on Pinter's conception of Struggle for Power
2．3 Language and Power
Chapter Three Pinter's capital "P" Politics
3．1 Pinter's political complex since his early age
3．2 Pinter and the British theatre in the 1980s and 1990s
3．3 Politics in Pinter's late plays
3．3．1 Politics in One for the Road
3．3．2 Politics in Mountain， Language
3．3．3 Politics in Party Time
3，3．4 Politics in The New World Order（1991）
3．3．5 Politics in Ashes to Ashes （1996）
3．4 Pinter's exploration of politics
3．5 Language and politics
Conclusion
Bibliography
摘要
Abstract
Introduction
0．1 Biographical notes on Harold Pinter
0．2 Understanding Pinter's works
0．3 Literature review of researches on Pinter's plays
0．3．1 Pinter's status in the literary world
0．3．2 Pinter as an Absurdist
0．3．3 Pinter's language
0．3．4 Freudian interpretation
0．3．5 Gender interpretation
0．3．6 Pinter's politics
0．4 The argument of the dissertation
Chapter One Pinter's political concerns in his Comedy of Menace
1．1 The general conditions after WWII
1．2 The Theatre of the Absurd
1．3 Pinter's Comedy of Menace
1．4 The significance of the Comedy of Menace
Chapter Two Pinter's small "p" politics： Struggle for Power
2．1 Micro-power in Pinter's early plays
2．1．1 Power as relationship
2．1．2 Power as a network
2．1．3 Power as subjectless and decentered and omnipresent
2．1．4 Power related to knowledge and truth
2．2 Influences on Pinter's conception of Struggle for Power
2．3 Language and Power
Chapter Three Pinter's capital "P" Politics
3．1 Pinter's political complex since his early age
3．2 Pinter and the British theatre in the 1980s and 1990s
3．3 Politics in Pinter's late plays
3．3．1 Politics in One for the Road
3．3．2 Politics in Mountain， Language
3．3．3 Politics in Party Time
3，3．4 Politics in The New World Order（1991）
3．3．5 Politics in Ashes to Ashes （1996）
3．4 Pinter's exploration of politics
3．5 Language and politics
Conclusion
Bibliography
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品特戲劇中的權力與政治(英文) 節選
《品特戲劇中的權力與政治（英文）》： 0.3.7 Studies on Pinter in China Pinter was introduced to China in the 1980s. In spite of the intemational reputation since the 1960s and the introduction of The Birthday Party in the Chinese journal World Literature and the performance of his plays The Lover and Betrayal on the stage since the 1990s, Pinter was a stranger to many Chinese readers before he won the Nobel Prize for Literature in October 2005. In the same month, Professor Fei Chunfang introduced Harold Pinter's theme of menace in the cozy life and analyzed the challenge of Pinter‘s plays to the audience and the reason why most of Pinter‘s plays are not staged in China. Pinter‘s plays require a high standard of comprehension from the audience. However, under the high pressure in the contemporary society, most of the Chinese are unwilling to spend money on some enigmatic plays. They need something more cheerful and less difficult than Pinter‘s plays. Commercialism has also prevented the audiences from going into the theatre. The prices of the tickets are usually above the acceptability of the public. Before 2005, Harold Pinter was usually treated as an absurdist by scholars in China. In December 1980, Shanghai Translations Press published Collected works of the Theatre of the Absurd and introduced some representative works by the masters of the Theatre of the Absurd, including Harold Pinter. Professor Zhang Dingquan and Dr. Wu Gang's book A New Concise History of English Literature （2002） classifies Harold Pinter into the Absurd tradition. They think that " The Birthday Party, his first full-length play, manifests the maturity of the writer and firmly establishes Pinter‘s name in the Theatre of the Absurd, " and that "Pinter‘s theatrical world is filled with fragmentary episodes and it lacks the unity which usually exists in many other plays. " Similar opinions about Pinter as an absurdist can also be found in articles like Li Dingqing and Wang Yong's " The Dumb Waiter and Pinter's Absurdist Art" , Yang Ge‘s " Drama in 'The Room‘" , Li Gang‘s " Exploration of Realism in Pinter‘s Absurdist Art". After 2005, Pinter has become famous in China and drawn public attention. Shortly after the announcement of Pinter's Nobel Prize award, Mr. Deng Zhongliang published his book on Pinter, introducing Pinter‘s personal background, important thinking and major works to the Chinese readers. Not only the number of scholars and researchers has increased but also the scope of studies has become wider. Some experts on British drama, such as Professor Wang Lan, Professor Chen Hongwei, and Professor He Qixin, have done a lot of research on Pinter‘s drama and thinking. The collaborate project conducted in Chinese by Professor Wang Lan and Professor Chen Hongwei, Contemporary English Drama, dedicates an important chapter to Harold Pinter. The two researchers consider Pinter as the most outstanding playwright in the contemporary English dramatic world. They have done a comprehensive research on Pinter's dramatic achievement and analyzed the major works, with a chapter focusing on the role of women in his plays. The project also studies Pinter theme of politics, stating that Pinter‘s political theme can be traced in his early plays and the obviously expressed political ideas in the late plays are released after the puzzling and confusing 1970s during which Pinter wrote some memory plays. ……
品特戲劇中的權力與政治(英文) 作者簡介
施贊聰，畢業于上海外國語大學英語系，英語文學博士，上海財經大學外國語學院副教授，主要教授大學英語（通用學術英語）、劍橋商務英語、英美文學、英國文學閱讀與欣賞等課程。先后發表有關大學英語教學，英語多媒體教學，英美文學研究等論文，參與上海財經大學英語教改課題及教材編寫；獲得過上海財經大學教學嘉獎等榮譽稱號。
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