掃一掃
關注中圖網
官方微博
本類五星書更多>
-
>
妙相梵容
-
>
基立爾蒙文:蒙文
-
>
我的石頭記
-
>
心靈元氣社
-
>
女性生存戰爭
-
>
縣中的孩子 中國縣域教育生態
-
>
(精)人類的明天(八品)
外語文化教學論叢了解漢語學習者:漢語寫作教學的體演文化教學法 版權信息
- ISBN：9787308196789
- 條形碼：9787308196789 ; 978-7-308-19678-9
- 裝幀：一般膠版紙
- 冊數：暫無
- 重量：暫無
- 所屬分類：>
外語文化教學論叢了解漢語學習者:漢語寫作教學的體演文化教學法 內容簡介
本書在社會文化學的理論框架內，結合英語作為第二語言寫作的近期新研究成果，分析了大量美國大學生漢語寫作的實證數據，提出了漢語寫作的體演文化教學法。書稿由社會文化學框架下的二語寫作理論、漢語作為第二語言寫作的需求調查分析、美國大學生漢語寫作質性研究、漢語寫作的體演文化教學法四個部分構成，具有一定的創新性，對相關課題做了較深入的研究和探析。
外語文化教學論叢了解漢語學習者:漢語寫作教學的體演文化教學法 目錄
CHAPTER 1 Composition in the Context of Chinese as a Foreign Language
1．1 Increased Need for Composition in Chinese as a Foreign Language Program
1．2 Composition： Definition and Assumptions
1．2．1 Composition Is a Social Activity Rather Than a Solitary Act
1．2．2 Composition Is Based on a Shared Common Ground
1．2．3 Composition Is a Process of Negotiating Meaning
1．2．4 Toward a Pedagogical Model of Composition
1．3 Development of Composition Theories
1．3．1 Composition as a Product
1．3．2 Composition as a Process
1．3．3 Composition as a Social-interactive Practice
1．4 Theories of Composition in the Chinese L2 Context
1．4．1 Chinese Composition， Characters， and Shumianyu
1．4．2 Research in Chinese L2 Composition Instruction
1．5 Outline of the Book
CHAPTER 2 Cultural Aspects of Persuasive Composition
2．1 Composition as a Cultural Artifact
2．2 A Culture-based View of Persuasive Composition
2．2．1 The Role of Persuasive Composition in American Culture
2．2．2 The Perception of Evidence in American Culture
2．2．3 The Role of Persuasive Composition in Chinese Culture
2．2．4 The Perception of Evidence in Chinese Culture
2．3 Persuasive Composition in a Cross-cultural Context
CHAPTER 3 American Students' Interpretation of Chinese Evidence
3．1 Literature Review
3．1．1 From Contrastive to Intercultural Rhetoric
3．1．2 Chinese-English Contrastive Rhetoric
3．2 Research Questions
3．3 Research Method
3．3．1 Reasons for Utilizing the Qualitative Research Method
3．3．2 Trustworthiness of the Study
3．3．3 The Setting
3．3．4 The Participants
3．3．5 Data Sources
3．3．6 Data Analysis
3．4 American Students' Perceptions of Evidence in Chinese Persuasive Composition
3．4．1 Evidence in the Textbook
3．4．2 Evidence Introduced in Class
3．4．3 Students' Understanding of the Concept of Evidence
3．4．4 Students' Perceptions of Using Well-known Stories as Evidence
3．4．5 Students' Perceptions of Using Famous Sayings as Evidence
3．4．6 Students' Accounts of Legitimate Evidence
3．4．7 Students' Accounts of L1 versus L2 Education
3．4．8 Summary
3．5 American Students' Use of Evidence in Chinese Persuasive Compositions
3．6 Conclusions
3．6．1 Revisiting the Concept of Evidence
3．6．2 Culturally Constructed "Truth
3．6．3 Bridging Cultural Differences in Pedagogical Experience
CHAPTER 4 CFL Writers' Composition Performance in China
4．1 Culture， Performance， and Curriculum Design
4．2 Literature Review
4．3 Purpose of the Study
4．4 Research Method
4．4．1 Explanation of the Survey Research Method
4．4．2 The Survey
4．4．3 The Participants
4．5 Results
4．5．1 Biographical Data
4．5．2 Chinese L2 Learners' Composition in Their Everyday Lives
4．5．3 Chinese L2 Students' Composition Performances in the Workplace
4．5．4 Chinese L2 Learners' Composition Performances in Academic Contexts
4．6 Discussions
4．6．1 Discourse Community， Domain， and Genre
4．6．2 Levels of Generic Conceptualizations
4．7 Pedagogical Implications
4．7．1 Level One： Daily Task Composition
4．7．2 Level Two： Informal Correspondence
4．7．3 Level Three： Compositions with Formal Elements
4．7．4 Level Four： Acquisition Model of Instruction Gradually Introduced
4．7．5 Level Five： Domain-specific Compositions
CHAPTER 5 Toward a Performed Culture Instruction in Chinese L2 Composition
5．1 Framework for Developing a Chinese L2 Composition Curriculum
5．1．1 Cultural Studies
5．1．2 Ethnographic Studies
5．1．3 Studies of Genre Analysis
5．1．4 Linguistic Studies
5．1．5 Psychological Studies
5．1．6 Educational Studies
5．2 Persuasive Composition in Chinese L2 Curriculum
5．3 Organizing a Curriculum for Performed Culture Composition
5．3．1 The Performed Culture Approach Meets Students' Needs in Target Contexts
5．3．2 Goals and Objectives of a Performed Culture Composition Curriculum
5．3．3 Sequencing the Performances in a Performed Culture Composition Curriculum
5．3．4 Selecting Model Compositions in a Performed Culture Composition Curriculum
5．4 Implementing a Performed Culture Approach in Chinese L2 Composition Courses
5．4．1 The Role of the Learning Cycle in a Performed Culture Composition Class
5．4．2 Modeling the Context
5．4．3 Deconstructing the Model Composition
5．4．4 Scaffolding Activities
5．4．5 Constructing Chinese L2 Compositions
5．5 Conclusion and Future Research
BIBLIOGRAPHY
APPENDIX A Interview Questions to Chinese L2 Students
APPENDIX B Interview Questions to the Course Instructor
APPENDIX C Survey Questionnaire of Chinese L2 Learners' Composition Performances
APPENDIX D Results of the Web-based Survey of Chinese L2 Learners' Composition Performances
INDEX
1．1 Increased Need for Composition in Chinese as a Foreign Language Program
1．2 Composition： Definition and Assumptions
1．2．1 Composition Is a Social Activity Rather Than a Solitary Act
1．2．2 Composition Is Based on a Shared Common Ground
1．2．3 Composition Is a Process of Negotiating Meaning
1．2．4 Toward a Pedagogical Model of Composition
1．3 Development of Composition Theories
1．3．1 Composition as a Product
1．3．2 Composition as a Process
1．3．3 Composition as a Social-interactive Practice
1．4 Theories of Composition in the Chinese L2 Context
1．4．1 Chinese Composition， Characters， and Shumianyu
1．4．2 Research in Chinese L2 Composition Instruction
1．5 Outline of the Book
CHAPTER 2 Cultural Aspects of Persuasive Composition
2．1 Composition as a Cultural Artifact
2．2 A Culture-based View of Persuasive Composition
2．2．1 The Role of Persuasive Composition in American Culture
2．2．2 The Perception of Evidence in American Culture
2．2．3 The Role of Persuasive Composition in Chinese Culture
2．2．4 The Perception of Evidence in Chinese Culture
2．3 Persuasive Composition in a Cross-cultural Context
CHAPTER 3 American Students' Interpretation of Chinese Evidence
3．1 Literature Review
3．1．1 From Contrastive to Intercultural Rhetoric
3．1．2 Chinese-English Contrastive Rhetoric
3．2 Research Questions
3．3 Research Method
3．3．1 Reasons for Utilizing the Qualitative Research Method
3．3．2 Trustworthiness of the Study
3．3．3 The Setting
3．3．4 The Participants
3．3．5 Data Sources
3．3．6 Data Analysis
3．4 American Students' Perceptions of Evidence in Chinese Persuasive Composition
3．4．1 Evidence in the Textbook
3．4．2 Evidence Introduced in Class
3．4．3 Students' Understanding of the Concept of Evidence
3．4．4 Students' Perceptions of Using Well-known Stories as Evidence
3．4．5 Students' Perceptions of Using Famous Sayings as Evidence
3．4．6 Students' Accounts of Legitimate Evidence
3．4．7 Students' Accounts of L1 versus L2 Education
3．4．8 Summary
3．5 American Students' Use of Evidence in Chinese Persuasive Compositions
3．6 Conclusions
3．6．1 Revisiting the Concept of Evidence
3．6．2 Culturally Constructed "Truth
3．6．3 Bridging Cultural Differences in Pedagogical Experience
CHAPTER 4 CFL Writers' Composition Performance in China
4．1 Culture， Performance， and Curriculum Design
4．2 Literature Review
4．3 Purpose of the Study
4．4 Research Method
4．4．1 Explanation of the Survey Research Method
4．4．2 The Survey
4．4．3 The Participants
4．5 Results
4．5．1 Biographical Data
4．5．2 Chinese L2 Learners' Composition in Their Everyday Lives
4．5．3 Chinese L2 Students' Composition Performances in the Workplace
4．5．4 Chinese L2 Learners' Composition Performances in Academic Contexts
4．6 Discussions
4．6．1 Discourse Community， Domain， and Genre
4．6．2 Levels of Generic Conceptualizations
4．7 Pedagogical Implications
4．7．1 Level One： Daily Task Composition
4．7．2 Level Two： Informal Correspondence
4．7．3 Level Three： Compositions with Formal Elements
4．7．4 Level Four： Acquisition Model of Instruction Gradually Introduced
4．7．5 Level Five： Domain-specific Compositions
CHAPTER 5 Toward a Performed Culture Instruction in Chinese L2 Composition
5．1 Framework for Developing a Chinese L2 Composition Curriculum
5．1．1 Cultural Studies
5．1．2 Ethnographic Studies
5．1．3 Studies of Genre Analysis
5．1．4 Linguistic Studies
5．1．5 Psychological Studies
5．1．6 Educational Studies
5．2 Persuasive Composition in Chinese L2 Curriculum
5．3 Organizing a Curriculum for Performed Culture Composition
5．3．1 The Performed Culture Approach Meets Students' Needs in Target Contexts
5．3．2 Goals and Objectives of a Performed Culture Composition Curriculum
5．3．3 Sequencing the Performances in a Performed Culture Composition Curriculum
5．3．4 Selecting Model Compositions in a Performed Culture Composition Curriculum
5．4 Implementing a Performed Culture Approach in Chinese L2 Composition Courses
5．4．1 The Role of the Learning Cycle in a Performed Culture Composition Class
5．4．2 Modeling the Context
5．4．3 Deconstructing the Model Composition
5．4．4 Scaffolding Activities
5．4．5 Constructing Chinese L2 Compositions
5．5 Conclusion and Future Research
BIBLIOGRAPHY
APPENDIX A Interview Questions to Chinese L2 Students
APPENDIX B Interview Questions to the Course Instructor
APPENDIX C Survey Questionnaire of Chinese L2 Learners' Composition Performances
APPENDIX D Results of the Web-based Survey of Chinese L2 Learners' Composition Performances
INDEX
展開全部
書友推薦
- >
羅庸西南聯大授課錄
- >
伯納黛特,你要去哪(2021新版)
- >
大紅狗在馬戲團-大紅狗克里弗-助人
- >
【精裝繪本】畫給孩子的中國神話
- >
山海經
- >
史學評論
- >
新文學天穹兩巨星--魯迅與胡適/紅燭學術叢書(紅燭學術叢書)
- >
朝聞道
本類暢銷
