Chapter 1 Introduction
1��1 Research Background
1��2 Theoretical Framework
1��3 Methodology and Data Collection
1��4 Significance of the Research
1��5 Outline of the Research

Chapter 2 Literature Review
2��1 Style and Translation
2��1��1 Studies of the Style
2��1��2 Previous Studies of the Stylistic Reproduction in Trailslation
2��2 Drama and Translation
2��2��1 Definitions of Drama
2��2��2 Drama Translation
2��2��3 Previous Studies on Drama Translation Abroad
2��2��4 Previous Studies on Drama Translation at Home
2��3 Stylistic Reproduction in Drama Translation
2��4 Summary

Chapter 3 Reproduction of Stylistic Markers in Drama Translation
3��1 Formal Markers
3��1��1 Phonological Markers
3��1��2 Register Markers
3��1��3 Syntactic Markers
3��1��4 Lexical Markers
3��1��5 Textual Markers
3��1��6 Rhetorical Markers
3��2 Non-Formal Markers
3��2��1 Manners of Expression
3��2��2 Inner Qualities
3��2��3 Visual Fusion of Receptors
3��3 Summary

Chapter 4 Reproduction of Stylistic Markers in Drama Translation�� A Case Study of C-E Translation of Cha Guan
4��1 Introduction of Cha Guan and Its Two English Versions
4��1��1 LaoSheand Cha Guan
4��1��2 Ying Ruocheng' s Version of Cha Guan
4 1��3 John Howard-Gibbon' s Version of Cha Guan
4��2 A Contrastive Study of Ying' s Version and Howard' s Version
4��2 1Formal Markers
4��2��2 Non-Formal Markers
4��3 Theoretical Implications
4��3��1 Principle of Adaptability
4��3��2 Translator' s Personality
4��3��3 Receptor-Oriented Principle
4��3��4 Principle of Integrity
4��4 Summary

Chapter 5 Conclusion
5��1 Findings and Significances
5��2 Limitations and Suggestions
References