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許淵沖譯唐詩三百首:漢文·英語
簡明英國文學史 版權(quán)信息
- ISBN：9787564932336
- 條形碼：9787564932336 ; 978-7-5649-3233-6
- 裝幀：一般膠版紙
- 冊數(shù)：暫無
- 重量：暫無
- 所屬分類：>>
簡明英國文學史 內(nèi)容簡介
《簡明英國文學史（修訂本 英文版）》按時間順序介紹了英國文學發(fā)展脈絡(luò)、流派和主要作家及其作品，突出文學研究的評介性，培養(yǎng)學習者的獨立思考意識。 《簡明英國文學史（修訂本 英文版）》依厚古薄今的原則，具體內(nèi)容安排為：16世紀之前為一章，16、17、18世紀各一章、19、20世紀各兩章。為方便讀者，書末附有年表和參考文獻。 《簡明英國文學史（修訂本 英文版）》是一部學術(shù)價值和閱讀性兼具的英國文學教材，適合高等學校英語專業(yè)或具有同等水平的學習者使用。
簡明英國文學史 目錄
Chapter One Old and Medieval Literature
Old English Literature （450-1066）
Beowulf
Other Poems
Prose
Middle English Literature （1066-1485）
The Gawain Poet
Other Poets
Geoffrey Chaucer （1340-1400）
Chapter Two Renaissance and Reformation Literature
Background
Thomas More （1478-1535）
Sir Thomas Wyatt （1503-1542） and Henry Howard
The Earl of Surrey （1518-1547）
Sir Philip Sidney （1554-1586） and Walter Raleigh （1527-1618）
Edmund Spenser （1552-1599）
Early Drama
The University Wits
Christopher Marlowe （1564-1593）
William Shakespeare （1564-1616）
Chapter Three The 17th Century
Shakespeare's Successors
Ben Jonson （1573-1637）
Other Playwrights
John Donne and the Metaphysical Poets
John Milton （1608-1674）
Prose
Francis Bacon （1561-1626）
The English Bible
Other Prose Writers
John Bunyan （1628-1688）
John Dryden （1631-1700）
Chapter Four The 18th Century
Prose
Jonathan Swift （1667-1745）
The Rise of the Novel
Daniel Defoe （1660-1731）
Samuel Richardson （1689-1761）
Henry Fielding （1707-1754）
Tobias Smollett （1721-1771）
Poetry
Alexander Pope （1688-1744）
Thomas Gray （1716-1771）
Late 18th Century Literature
Oliver Goldsmith （1730-1774）
Laurence Sterne （1713-1768）
Samuel Johnson （1709-1784）
Richard Sheridan （1751-1816）
Edward Gibbon （1737-1794）
Edmund Burke （1729-1797）
The Gothic Novel
Robert Burns （1759-1796）
Chapter Five The Age of Romanticism （1790——1840）
Background
Romantic Poets
William Wordsworth （1770-1850）
Samuel Taylor Coleridge （1772-1834）
George Gordon Byron （1788-1824）
Percy Bysshe Shelley （1792-1822）
John Keats （1795-1821）
Prose
Charles Lamb （1775-1834）
Thomas de Quincey （1785-1859）
William Hazlitt （1778-1830）
Robert Southey （1774-1843）
Leigh Hunt （1784-1859）
John Gibson Lockhart （1794-1854）
Novel
Walter Scott （1771-1832）
Jane Austen （1775-1817）
Minor Novelists
Chapter Six Victorian Literature （1837-1901）
Poetry
Alfred Tennyson （1809-1892）
Robert Browning （1812-1889）
Other Poets
Prose
Thomas Carlyle （1795-1881）
Thomas Macaulay （1800-1859）
John Ruskin （1819-1900）
Walter Pater （1839-1894）
Novel
The Bronte Sisters
Other Writers
Charles Dickens （1812-1870）
William Makepeace Thackeray （1811-1863）
George Eliot （1819-1880）
Anthony Trollope （1815-1882）
George Meredith （1828-1909）
Thomas Hardy （1840-1928）
Literature of the fin-de-siOcle
Chapter Seven First Half of the 20th Century
Background
Poetry
Georgian Poetry and War Poetry
Modernist Poetry
William Butler Yeats （1865-1939）
Thomas Stearns Eliot （1888-1965）
Poetry of the Thirties and Forties
Drama
George Bernard Shaw （1856-1950）
Irish Dramatic Renaissance
Novel
Traditional Novel
Modernist Novel
Working Class Novel in the 1930s
Satirical Fiction
Chapter Eight Second Half of the 20th Century
Drama
Harold Pinter （1930- ）
John Osborne （1929-1994）
Arnold Wesker （1932- ）
Joe Orton （1933-1967）
Other Dramatists
Poetry
Philip Larkin （1922-1985）
Ted Hughes （1930-1999）
Geoffrey Hill （1932- ）
Ronald Stuart Thomas （1913-2000）
Seamus Heaney （1939- ）
Other Poets
Novel
The Angry Young Men
Other Novelists
Campus Novel
Historical Novel
Regional Novel
Other Recent Novelists
Chronology
References
Old English Literature （450-1066）
Beowulf
Other Poems
Prose
Middle English Literature （1066-1485）
The Gawain Poet
Other Poets
Geoffrey Chaucer （1340-1400）
Chapter Two Renaissance and Reformation Literature
Background
Thomas More （1478-1535）
Sir Thomas Wyatt （1503-1542） and Henry Howard
The Earl of Surrey （1518-1547）
Sir Philip Sidney （1554-1586） and Walter Raleigh （1527-1618）
Edmund Spenser （1552-1599）
Early Drama
The University Wits
Christopher Marlowe （1564-1593）
William Shakespeare （1564-1616）
Chapter Three The 17th Century
Shakespeare's Successors
Ben Jonson （1573-1637）
Other Playwrights
John Donne and the Metaphysical Poets
John Milton （1608-1674）
Prose
Francis Bacon （1561-1626）
The English Bible
Other Prose Writers
John Bunyan （1628-1688）
John Dryden （1631-1700）
Chapter Four The 18th Century
Prose
Jonathan Swift （1667-1745）
The Rise of the Novel
Daniel Defoe （1660-1731）
Samuel Richardson （1689-1761）
Henry Fielding （1707-1754）
Tobias Smollett （1721-1771）
Poetry
Alexander Pope （1688-1744）
Thomas Gray （1716-1771）
Late 18th Century Literature
Oliver Goldsmith （1730-1774）
Laurence Sterne （1713-1768）
Samuel Johnson （1709-1784）
Richard Sheridan （1751-1816）
Edward Gibbon （1737-1794）
Edmund Burke （1729-1797）
The Gothic Novel
Robert Burns （1759-1796）
Chapter Five The Age of Romanticism （1790——1840）
Background
Romantic Poets
William Wordsworth （1770-1850）
Samuel Taylor Coleridge （1772-1834）
George Gordon Byron （1788-1824）
Percy Bysshe Shelley （1792-1822）
John Keats （1795-1821）
Prose
Charles Lamb （1775-1834）
Thomas de Quincey （1785-1859）
William Hazlitt （1778-1830）
Robert Southey （1774-1843）
Leigh Hunt （1784-1859）
John Gibson Lockhart （1794-1854）
Novel
Walter Scott （1771-1832）
Jane Austen （1775-1817）
Minor Novelists
Chapter Six Victorian Literature （1837-1901）
Poetry
Alfred Tennyson （1809-1892）
Robert Browning （1812-1889）
Other Poets
Prose
Thomas Carlyle （1795-1881）
Thomas Macaulay （1800-1859）
John Ruskin （1819-1900）
Walter Pater （1839-1894）
Novel
The Bronte Sisters
Other Writers
Charles Dickens （1812-1870）
William Makepeace Thackeray （1811-1863）
George Eliot （1819-1880）
Anthony Trollope （1815-1882）
George Meredith （1828-1909）
Thomas Hardy （1840-1928）
Literature of the fin-de-siOcle
Chapter Seven First Half of the 20th Century
Background
Poetry
Georgian Poetry and War Poetry
Modernist Poetry
William Butler Yeats （1865-1939）
Thomas Stearns Eliot （1888-1965）
Poetry of the Thirties and Forties
Drama
George Bernard Shaw （1856-1950）
Irish Dramatic Renaissance
Novel
Traditional Novel
Modernist Novel
Working Class Novel in the 1930s
Satirical Fiction
Chapter Eight Second Half of the 20th Century
Drama
Harold Pinter （1930- ）
John Osborne （1929-1994）
Arnold Wesker （1932- ）
Joe Orton （1933-1967）
Other Dramatists
Poetry
Philip Larkin （1922-1985）
Ted Hughes （1930-1999）
Geoffrey Hill （1932- ）
Ronald Stuart Thomas （1913-2000）
Seamus Heaney （1939- ）
Other Poets
Novel
The Angry Young Men
Other Novelists
Campus Novel
Historical Novel
Regional Novel
Other Recent Novelists
Chronology
References
展開全部
簡明英國文學史 節(jié)選
《簡明英國文學史（修訂本 英文版）》： Of course the main elements of Romanticism were not new： no one would pretend that the works of Chaucer， Spenser or Shakespeare were never Romantic in spirit. Nor did the Romantic poets think of themselves in those terms， or regard themselves as a group. Frequently， indeed， they thoroughly disliked each other's poetry. But， when all the nervous qualifications have been made， it remains true that the mode of thinking of intelligent people was changed by the poetry， the critical writings， and the social attitudes of the leaders of the Romantic Movement. By 1830， a man who was brought up in the neo-classical tradition， or who clung to it from innate conservatism， was feeling very lonely in and alienated from the literary world ~ indeed from his social world in general. It is not difficult for the modern reader to see what the Romantic poets were reacting against： their feeling that the neo-classical tradition had exhausted itself into cliche， repetition， and staleness was understandable， even if （in the manner of young revolutionaries） they produced too frank a condemnation. Their reaction against the dominant modes of thinking of the eighteenth-century writers and philosophers was vigorous and wholesale. Where their predecessors saw man as a social animal， saw him in his daily relations with his fellows， the Romantics saw him essentially in the solitary state， self-communing， Where the Augustans emphasized those features that men have in common， the interests that bring them together， the Romantics emphasized the special qualities of each individual's mind； they exalted the atypical， even the bizarre， they honoured the hermit， the outcast9 the rebel. Where for the Augustans， literature was a communal activity， likely to be carried on in a metropolitan environment， for the Romantics it was essentially solitary， or at most the communing of two sympathetic souls， and it was inevitably attached not to the city， but to the outdoors. Nature， for the most influential eighteenth-century writers， was more something to be seen than something to be known. It is of nature that the ordinary reader will think when the subject of Romantic poetry comes up， and by and large the emphasis is not misplaced. The natural world n w comes to the forefront of the poetic imagination and provides the dominant subject matter. Naturally it does not mean quite the same to all the poets. Wordsworth is the closest to nature， though he is not primarily an observer； the natural world is known， felt in Wordsworth - it is an emotional necessity for him， the basis of his spiritual life. Shelley and Keats know nature much less well； the natural object tends to be a springboard for philosophical， social or personal meditations. For Byron nature is a magnificent backdrop， in front of which he can make splendid gestures. But it was Wordsworth's view of the natural world that was the dominant influence in changing people's sensibilities： nature to him was a s：urce of mental cleanliness and spiritual understanding， it was a teacher， it was the stepping stone between Manand God. Such a view was easier to propagate in the wild rolling countryside of England. ……
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