Unit 1: Popular Noises Text I What Is This "Black" in Black Popular Culture�� Text II From John Farmhand to Lordi: the Noise of MusicUnit 2 : The Political Economy of Music Text III The Music Industry and Rap:between the Street and the Executive Suite Text IV Digitalisation, Music and CopyrightUnit 3 : Technology Text V The MP3 as Cultural Artifact Text VI No Dead Air�� The iPod and the Culture of Mobile ListeningUnit 4 : Musical Creativity, Authorship and Musicianship Text VII Music, Culture, and Creativity Text VIII From Craft to Corporate Interfacing: Rock Musicianship in the Age of Music Television and Computer-Programmed MusicUnit 5: Musical Forms, Styles and Genres Text IX Popular Music Analysis: Ten Apothegms and Four Instances Text X From "My Blue Heaven" to "Race with the Devil" : Echo, Reverb (Dis) Ordered Space in Early Popular Music RecordingUnit 6 : Visualizing Music Text XI Panel Discussion on Film Sound / Film Music Text XII The Aesthetics of Music Video: an Analysis of Madonna s"Cherish"Unit 7: Subjectivities, Bodies & Identities: Youth Text XIII Researching Youth Culture and Popular Music: a Methodological Critique Text XIV Just a Girl�� Rock Music, Feminism, and the Cultural Construction of Female YouthUnit 8: Subjectivities, Bodies & Identities: Gender and Sexuality Text XV Turn the Beat Around: Richard Dyer s "In Defence of Disco" Revisited Text XVI What s That Smell�� Queer Temporalities and Subcultural LivesUnit 9 : Subjectivities, Bodies & Identifies: Race and Ethnicity Text XVII Music and the Global Order Text XVIII From Bombayto Bollywood: Tracking Cinematic and Music ToursUnit 10: Spaces, Flows and Subjectivities Text XIX Dancing between Islands: Hip Hop and the Samoan Diaspora Text XX Would You Like Some World Music with Your Latte�� Starbucks, Putumayo, and Distributed TourismGlossary