導 論····························································································· 1 **章 20 世紀50 年代閩南語電影時代的**位女性導演 ······················ 12 **節 從家庭走向社會的臺灣女性 ················································ 14 第二節 陳文敏在篳路藍縷的閩南語片時代 ······································· 18 第三節 為女性書寫悲情故事與民間傳奇 ·········································· 38 第四節 初涉性別議題的女性書寫 ··················································· 59 第二章 20 世紀60 年代至80 年代的臺灣女性導演 ································· 64 **節 主流電影中潮流中的汪瀅導演 ············································· 66 第二節 愛情文藝片早期的女導演崔小萍 ·········································· 87 第三節 瓊瑤電影后期的御用導演劉立立 ·········································106 第四節 電影類型極致多元的楊家云導演 ·········································128 第五節 喜劇式的家庭倫理片導演蘇月禾 ·········································147 第六節 小結：1960 至70 年代女導演的創作環境概述 ························156 第三章 20 世紀80 年代至90 年代的臺灣女性導演 ································ 162 **節 跨地域文化創作的張艾嘉導演 ············································164 第二節 以天下為己任為藝術使命的王小棣導演 ································191 第三節 從感性書寫到理性思辨的黃玉珊導演 ···································215 第四節 跨區域制片的導演——劉怡明 ············································234 第五節 小結：臺灣新電影思潮影響下的女導演創作 ··························245 總 論·························································································· 266 參考文獻資料················································································· 274 附錄一：臺灣歷史學家及女導演訪談錄 ··············································· 284 附錄二：參考影片目錄····································································· 319 后 記·························································································· 334