序一: “北京大柵欄歷史街區(qū)更新在地性研究”——國(guó)際公共
藝術(shù)研究工作營(yíng)活動(dòng)的啟示
汪大偉
Preface I:“Dashilar Renewal Project in Beijing”--Reflections on the
International Public Art Study Workshop l Wang Dawei
序二:全球視野下的公共藝術(shù)研宄
金江波
Preface II:Public Art Research with a Global Perspective Jin Jiangbo
前言
姜岑
Forward l Jiang Cen
一、在地性案例調(diào)研中的復(fù)合視野:公共藝術(shù)研究的新方法
Compound Vision in Site—specific Case Studies:New Approaches
of Public Art Researeh
維度交互與場(chǎng)域激活:北京大柵欄歷史街區(qū)更新在地性研宄
姜岑
Interaction of Dimensions and Activation of Field:A Study of the
Renewal Plan for historic District in Beijing Dashilar l Jiang Cen
多元語(yǔ)境下的公共藝術(shù)新視野
馮祖光
A New Vision for Public Art in a Pluralist Context l Feng Zuguang
二、社區(qū)營(yíng)造:公共藝術(shù)的社會(huì)效能及其適切性反思
Community building:Social Efficacy of Public Art and the
Reflection on its ApprOpriateness
情境·語(yǔ)言·策略:社區(qū)藝術(shù)形態(tài)及其適切性芻議
翁劍青
Situation,Language and Strategy:A Discussion of Community Art
Forms and Their Appropriateness 1 Weng Jianqing
再導(dǎo)向:城市更新中的社會(huì)參與型公共藝術(shù)
赫維希·特克、馬丁·法爾伯、弗吉尼亞·雷、李娜琪
Reconditioning Routines:Socially—engaged Public Art in Urban
Redevelopments l Herwig Turk,Martin Fgrber,Virginia Lui,Aki Lee
中國(guó)當(dāng)代公共藝術(shù)的社會(huì)功能及介入模式:大柵欄更新計(jì)劃研究
柏帆霓
Social Functions and Modes of Interventions of Public Art in
Contemporary China:A Case Study of Dashilar Project in Beijing I
Federica A.Buonsante
三、“微更新”實(shí)踐:公共藝術(shù)、建筑、設(shè)計(jì)等科目間的跨學(xué)
科探索與思考
Practices of Micro-Renovation:Interdisciplinary Exploration
and Reflection among Subjects such as Public Art,Architecture
and Design
微更新視角下的公共藝術(shù)創(chuàng)作路徑思考:從大柵欄歷史街區(qū)更
新計(jì)劃談起
魏秦
Thoughts on Public Art Creation from the Perspective of Micro
Renovation:Starting with the Dashilar Project l Wei Qin
再論私密性:大柵欄城市更新公共藝術(shù)思考
程雪松、顧婷
Further Discussion of Privacy:Reflections on Urban Renewal and
Public Art in Dashilar l Cheng Xuesong,Gu Ting
四、理論哲思:公共藝術(shù)中的更多維度——公共基礎(chǔ)設(shè)施中的史
學(xué)與當(dāng)下、“接觸區(qū)”與“松茸生長(zhǎng)結(jié)構(gòu)”、 “時(shí)間性”及學(xué)
科邊界問(wèn)題
Theoretical Contemplation:Further Dimensions in Public Art
History and Present in Public Infrastructure。“Contact Zone”
and“Grown Structures of Matsutake”.“Temporalities”as well
as the Problem of Disciplinary Boundaries
公共基礎(chǔ)設(shè)施中的藝術(shù):大柵欄案例
泰奧菲洛·維多利亞、阿迪布-科爾、趙一舟
Art in Public Infrastructure:A Case for Dashilar I Tedfilo Victoria,Adib
J.Cure,Zhao Yizhou
展示還是替代?公共藝術(shù)之于歷史重建與當(dāng)代城市規(guī)劃的潛力
瑪利亞·恩格爾斯基興、烏蘇拉-弗羅內(nèi)、尤里斯-雷曼、卡特琳娜·紐伯格、
瑪麗安·瓦格納
Display or Displacement?Potentiality of Public Art between
Historical Reconstruction and Contemporary Urban Planning
Maria Engelskirchen,Ursula Frohne,Julius Lehmann,Katharina Neuburger
Marianne Wagner
關(guān)于大柵欄城市發(fā)展的時(shí)間性問(wèn)題
提爾·朱利安·胡斯
The Temporalities of Urban Development in Beijing Dashilar I Till
Julian HHSS
也談公共藝術(shù)與建筑的學(xué)科邊界問(wèn)題:以北京“大柵欄更新計(jì)劃”
為例
姜岑
On the Disciplinary Boundaries Between Public Art and Architecture
A Case Study ofthe Beijing“Dashilar Project”Jiang Cen
視覺(jué)記錄
Visual Recording