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海峽兩岸民間工藝口述史叢書海峽兩岸木版年畫藝術口述史/海峽兩岸民間工藝口述史叢書 版權信息
- ISBN：9787533481179
- 條形碼：9787533481179 ; 978-7-5334-8117-9
- 裝幀：一般銅版紙
- 冊數(shù)：暫無
- 重量：暫無
- 所屬分類：>
海峽兩岸民間工藝口述史叢書海峽兩岸木版年畫藝術口述史/海峽兩岸民間工藝口述史叢書 本書特色
海峽兩岸民間工藝口述史叢書（第 一 輯）是國家出版基金項目，被納入國家十三五重點規(guī)劃項目。《海峽兩岸木版年畫藝術口述史》是該叢書中的一本。本書通過對海峽兩岸木版年畫傳承人、研究學者口述資料的搜集與整理，一方面填補了該領域的史料空白，另一方面較為全面地展現(xiàn)了海峽兩岸民間年畫藝術的整體風貌與發(fā)展現(xiàn)狀。
海峽兩岸民間工藝口述史叢書海峽兩岸木版年畫藝術口述史/海峽兩岸民間工藝口述史叢書 內(nèi)容簡介
海峽兩岸民間工藝口述史叢書（靠前輯）是國家出版基金項目，被納入國家十三五重點規(guī)劃項目。《海峽兩岸木版年畫藝術口述史》是該叢書中的一本。本書通過對海峽兩岸木版年畫傳承人、研究學者口述資料的搜集與整理，一方面填補了該領域的史料空白，另一方面較為全面地展現(xiàn)了海峽兩岸民間年畫藝術的整體風貌與發(fā)展現(xiàn)狀。
海峽兩岸民間工藝口述史叢書海峽兩岸木版年畫藝術口述史/海峽兩岸民間工藝口述史叢書 目錄
目 錄
前言：遙遠的回響······················································1
**章 閩臺木版年畫的源流···········································7
**節(jié) 福建木版年畫·················································9
一、福建歷史與民俗文化···············································10
二、福建木版年畫的起源與發(fā)展········································13
第二節(jié) 臺灣木版年畫················································16
第三節(jié) 兩岸木版年畫的深厚淵源······································18
第二章 漳州木版年畫················································21
**節(jié) 漳州木版年畫概述············································23
第二節(jié) 漳州木版年畫的材料與工藝····································25
一、漳州木版年畫的工具與材料········································25
二、漳州木版年畫的制作工藝··········································29
第三節(jié) 漳州木版年畫口述史··········································34
一、顏仕國：“版畫靠我個人來演變，演變不來。” ··························34
二、顏志仁：“我愿意教刻版，但沒人愿意學啊！” ··························38
三、陳斌：“這個版每天都在消耗。” ···································39
四、周鐵海：“木版年畫是漳州的一個寶。” ·····························45
五、林育培：“如果漳州木版年畫失傳，那真的很可惜！” ·················51
第四節(jié) 漳州木版年畫精品············································60
一、門神畫、門畫····················································60
二、宗教用年畫······················································77
三、燈畫與紙扎畫····················································83
四、戲出年畫、風俗畫················································88
五、游戲圖··························································95
第三章 泉州木版年畫················································97
**節(jié) 泉州木版年畫概述············································99
第二節(jié) 泉州木版年畫精品···········································101
一、門神畫、門畫···················································101
二、燈畫與紙扎畫···················································104
三、游戲圖·························································111
第四章 臺灣木版年畫···············································113
**節(jié) 臺灣木版年畫概述···········································115
一、 閩南移民與臺灣民俗文化·········································115
二、 臺灣年畫的發(fā)展簡史············································117
第二節(jié) 臺灣木版年畫的材料與工藝···································120
第三節(jié) 臺灣木版年畫口述史·········································122
一、陳羿錫：“等人們意識到要保護的時候，它們已經(jīng)流失太長時間了。” ·····························································122
二、楊永智：“臺灣現(xiàn)在有的是機器，有的是科技，卻沒有會手工印的師傅。” ·····························································129
三、吳望如：“所以我們讓孩子來做藏書票，但是我們后面的目的是推動版畫的傳承。” ·····························································137
第四節(jié) 臺灣木版年畫精品···········································144
一、門神畫、門畫···················································144
二、宗教用年畫·····················································159
三、燈畫與紙扎畫···················································161
四、戲出年畫·······················································164
五、游戲圖·························································166
參考文獻···························································169
后 記···························································171
展開全部
海峽兩岸民間工藝口述史叢書海峽兩岸木版年畫藝術口述史/海峽兩岸民間工藝口述史叢書 作者簡介
主編簡介
李豫閩，教授，博士生導師。現(xiàn)任福建師范大學美術學院院長，美術學一級博士點帶頭人，美術學一級博士后流動站帶頭人。福建省政協(xié)委員。全國百篇優(yōu)秀博士論文評審委員，文化部、教育部研究生教育藝術指導委員會委員，中國民間文藝家協(xié)會會員，中國美術家協(xié)會會員，中國美術家協(xié)會美術教育委員會委會，教育部哲學社會科學優(yōu)秀成果獎評審委員，中國·閩南文化生態(tài)實驗保護區(qū)專家委員會委員，福建省非物質(zhì)文化遺產(chǎn)保護項目及傳承人申報評選專家，福建師范大學非物質(zhì)文化遺產(chǎn)保護與研究中心常務副主任。2016年被福建省人民政府評為“文化名家”。
作者簡介
王曉戈，湖北武漢人，美術學博士。現(xiàn)為福建師范大學美術學院副教授、碩士生導師、福建省文聯(lián)藝術委員會青年委員、福建省民間文藝家協(xié)會常務理事、中國民間文藝家協(xié)會會員。主要從事閩臺民間美術、工藝美術、手工藝設計研究。出版有《漳州木版年畫藝術》《閩南木版年畫研究》《中國木版年畫集成·漳州卷》（合著）等作品，另有多篇學術論文發(fā)表。主編簡介
李豫閩，教授，博士生導師。現(xiàn)任福建師范大學美術學院院長，美術學一級博士點帶頭人，美術學一級博士后流動站帶頭人。福建省政協(xié)委員。全國百篇優(yōu)秀博士論文評審委員，文化部、教育部研究生教育藝術指導委員會委員，中國民間文藝家協(xié)會會員，中國美術家協(xié)會會員，中國美術家協(xié)會美術教育委員會委會，教育部哲學社會科學優(yōu)秀成果獎評審委員，中國·閩南文化生態(tài)實驗保護區(qū)專家委員會委員，福建省非物質(zhì)文化遺產(chǎn)保護項目及傳承人申報評選專家，福建師范大學非物質(zhì)文化遺產(chǎn)保護與研究中心常務副主任。2016年被福建省人民政府評為“文化名家”。
作者簡介
王曉戈，湖北武漢人，美術學博士。現(xiàn)為福建師范大學美術學院副教授、碩士生導師、福建省文聯(lián)藝術委員會青年委員、福建省民間文藝家協(xié)會常務理事、中國民間文藝家協(xié)會會員。主要從事閩臺民間美術、工藝美術、手工藝設計研究。出版有《漳州木版年畫藝術》《閩南木版年畫研究》《中國木版年畫集成·漳州卷》（合著）等作品，另有多篇學術論文發(fā)表。
劉雅琴，山西大同人，本科就讀于福建師范大學美術學院服裝設計專業(yè)，研究生就讀手工藝設計與研究專業(yè)，在校期間曾多次獲得獎學金，并有多篇學術論文發(fā)表。
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